The Art Quarterly, Número 1

Academy action aesthetic American Annibale Annibale's appear Arch architecture artists aspects Beaux-Arts become Boschloo called central century Christ Clark close collector composition considered continuous Courbet course created critical Decree described dessin direct discussion drawing early École evidence example expression fact figures formal France French gives hand ideas identity illustrations important influence interest Italy kind l'art l'École Laborde Leonardo London matter means method Museum nature object organization original painters painting Paris period Peter plane political position possible present question reflected reforms Renaissance represented result Rome scene sculpture seems seen significance single social Stites story style successive suggest symmetry three-dimensional tion tradition turned universal Viollet-le-Duc visual York