Harrison Birtwistle: Man, Mind, Music

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Cornell University Press, 2000 - 295 páginas

Sir Harrison Birtwistle is the most original, the most challenging, and the most controversial British composer of our time. His notoriously angular music is at once defiantly modernist and deeply indebted to the traditions, medieval and modern, of English music.

Birtwistle composes for ensembles of every size and shape but is perhaps best known for his music for the opera stage. His opera Gawain, possibly his most famous work, is fully characteristic in its marriage of a modernist musical language and a mythic subject.

Accessible to anyone with an interest in modern music, this book uncovers the sources of Birtwistle's art and presents a critical account of his musical, dramatic, and aesthetic preoccupations through an exploration of such topics as theater, myth, ritual, pastoral, pulse, and line. It places Birtwistle in a broad cultural context, examining the composers and painters who have influenced his work.

 

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"Music is like Knitting, John", the pre-eminent Accrington-born composer of modern times once told me while we were flaying his lunch for him at the small townhouse he used to own in Twickenham. I ... Leer reseña completa

Índice

Episodion ITheatres
65
Episodion II Myth and Ritual
92
Episodion HI Pastoral
135
Stasimon Verses and Refrains
150
Episodion IVA Pulse Sampler
174
Line Melody Tonality
200
Chronological Catalogue of Works 265
2-77
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Sobre el autor (2000)

Jonathan Cross is Lecturer in Music at the University of Oxford and Tutor of Christ Church. He has written and lectured widely on twentieth-century music and is the author of The Stravinsky Legacy and editor of The Cambridge Companion to Stravinsky. He is also the Editor of Music Analysis.

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