The Late Baroque Era: Vol 4. From The 1680s To 1740George J Buelow Springer, 4 mar 2016 - 521 páginas Covers the development of musical life in the great centres of European music - Paris, Vienna, London and the courts of Italy and Germany. The contributions of Handel and Bach, and their lesser colleagues are set in their historical and sociological context. |
Índice
the Power of Patronage | 39 |
Venice in an Era of Political Decline | 66 |
a City of Entertainment | 94 |
Paris and Versailles | 129 |
Hamburg and Lübeck | 191 |
Dresden in the Age of Absolutism | 216 |
BrandenburgPrussia and the Central German Courts | 230 |
a Cosmopolitan Trade Centre | 254 |
Courts and Monasteries in Bavaria | 296 |
Vienna under Joseph I and Charles VI | 324 |
Commercial Wealth and Cultural Expansion | 355 |
The Dutch Republic | 393 |
The Iberian Peninsula | 411 |
Warsaw Moscow and St Petersburg | 435 |
| 494 | |
Otras ediciones - Ver todo
The Late Baroque Era: Vol 4. From The 1680s To 1740 George J Buelow No hay ninguna vista previa disponible - 1993 |
Términos y frases comunes
Academy Alessandro Scarlatti Amsterdam Antonio Antonio Caldara appointed arias audience Bach Bach's Baroque Baroque music Bavaria became Caldara cantatas cappella castrato celebrations chamber music Charles church music collegium comic composers concerts Corelli court cultural death dramatic Dresden Duke Duke of Orléans early eighteenth century Elector Emperor English ensemble entertainment Francesco French Friedrich genres Georg German Giovanni Habsburg Hamburg Handel important included instrumentalists Italian Italian music Italian opera Italy Johann Johann Sebastian Bach Kapelle Kapellmeister keyboard king later Leipzig librettos London Louis XIV Lully Lully's Maria Moscow motets Munich musicians Musik musique Naples Neapolitan Netherlands opera house oratorio orchestra organ organist palace Paris patronage performed period Philipp played players political Prince published reign repertory Rome Russian sacred music secular serenata seventeenth century singers solo sonatas Spain Spanish stage style Teatro Telemann texts theatre tradition tragédie en musique trumpets Venetian Venice Versailles Vienna violin violinist Vivaldi vocal Warsaw