Ibn `Arabī's Mystical PoeticsOUP Oxford, 23 ago 2012 - 255 páginas Muhyī l-Dīn Ibn `Arabī (1165-1240) was a hugely influential figure in the development of Sufism, yet although interest in his work continues to grow, his poetry has received very little attention. This book is the first full-length monograph devoted to his Dīwān (collected poems). It begins by attempting to define Ibn `Arabī's poetic style and his understanding of poetics, which is closely intertwined with his metaphysics: the rhythms of poetry echo those of creation, and meaning combines with form just as the spirit descends on matter. Drawing on a pre-Islamic theme, he insists that his poetry was revealed to him word for word by a spirit. At the same time, however, his attitude to the function of poetry and its relation to scripture is closer to mainstream medieval Islamic, Jewish and Christian theology than has usually been thought. Denis E. McAuley focuses on close readings of books in unusual verse forms, including poetic responses to chapters of the Qur'an; imitations of earlier poets; poems that use only one rhyme word; and a cycle of poems modelled on the letters of the alphabet. In so doing, he makes frequent comparisons with other Islamic and European poets from the sixth century to the dawn of the twentieth, many of them virtually unstudied. Ibn `Arabī emerges as a highly original poet whose work casts a fresh light on the period and on classical Arabic literature as a whole. |
Índice
Introduction | 1 |
1 A great theosophist rather than a great poet? | 14 |
Three Prose Texts | 32 |
A Series of Poems | 59 |
Imitations and Replies | 93 |
Five R257iyy257t | 115 |
A Stylistic Eccentricity in Comparative Perspective | 141 |
A Comparative Approach | 160 |
8 Speech and Cosmology in Ibn Arab299s Muashshar257t | 181 |
9 Conclusion | 200 |
The Poems | 223 |
| 237 | |
| 251 | |
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Abū Addas al-Andalus al-Din al-Fazāzī al-Hallāj al-Husrī al-Nābulusī al-Qays Al-Tabarī alif appears Arabic Literature Arabic poetry ashsharāt āya āyāt Bachmann basīt Beirut Bilqāsim Būlāq Būlāq Dīwān Chapter Claude Addas context contrast Dār described divine Dīwān essence fikr Fuṣūs Futūhāt God's hadith heavenly spheres hemistich Ibid Ibn al-Fārid Ibn Arabi Ibn Arabī's poem Ibn Arabī's poetry idea imām imitation Imru inspiration Islamic Jesus Kitāb Labīd literary lyric Makzūn manuscript meaning medieval Meisami metaphysical metre mi`rāj Mu`allaqa mu`ashsharāt Muhammad mystical names nazar Nusayrī passage Perfect Human Persian phrase poet poetic praise pre-Islamic Prophet prose quoted Qur'an reading refers rhyme words speech spirit Sufi Metaphysics Sufi poetry Sufism sūra Sūrat Taoism Tarjumān theme things tradition translation ultra-monorhyme verse writing أن أنا إذا إلا إلى إن الذي الله به على عن في فيه قد كان كل لم له ما من ولا وما
