new favourite. Before he had attained his twentieth year, he had finished a group of Apollo and Daphne (in the Villa Borghese) of a natural size, of which so general and unbounded was the admiration, that the fame of M. Angelo was lost in a total eclipse. The public taste was captivated by this novel style +. Twisted attitudes, heads turned with a meretricious grace, incorrectly formed limbs, but loaded with flying or protruding folds of drapery, which at once exposed the want of skill in the Artist, and the solidity of the material on which his talents were employed; these were the charms by which the Roman connoisseurs, with Pope Urban at their head, were rendered insensible of former excellence, and indulged all the foolish prejudice of depreciating the examples they had before admired. The Not satisfied with other innovations, he introduced one in his designs for basso-relievos. He filled them up with buildings in perspective, clouds, water, diminished figures and attempts to represent such aërial effects, as confound or break down the boundaries of the two arts. Reynolds observes, (Disc.X.) that "his heart was so much set on overcoming this difficulty, that he was for ever attempting it, though by that attempt he risked every thing that was valuable in the Arts." Grand Fountain in the Piazza Navona, confirmed the increasing reputation of Bernini. When Innocent X. first saw the plan, he exclaimed, "that it was impossible to see any designs of Bernini, without immediately ordering their execution." Having completely finished his work, his patron was invited to inspect it, and the approbation of this old Pope was insured by the following theatrical effect. A considerable time was allowed him to examine every part of this vast édifice of sculpture, which, as the rivulet which supplies it was not flowing, was not yet become a fountain. Upon his Holiness preparing to depart, the waters were suffered to rush into the basin, with incredible force and quantity; which circum tomical science was adopted by them with superior delicacy in female figures. Fiamingo has been styled the modern Polycletis. In his younger days he preferred ivory as a material, and a consequently smaller scale. The children of Guido by his second wife, were so exquisitely beautiful, that they served as models for a degree of infantine loveliness which might be considered as purely imaginary, but for this well-known anecdote. Of an Apollo and Mercury, once in the collection of the Marchesa Giustiniani, Bellori thought so highly, that he compared them, in point of grace, with the Antinous of the Belvedere. The Saint Susanna, in marble, in the Church of Loretto, was modelled from the Urania of the Capitol. She holds a palm branch in one hand, and with the other invites to the Altar. A simplicity, rivalling the antique, marks both attitude and drapery. Yet it has been doubted whether the face be not too fleshy in the upper part of the cheeks, and whether the expression be not merely that of sweetness in a saint, a character of which the antients certainly knew nothing. Whatever be the precise description of the beauty, it is truly exquisite. He cast likewise a very celebrated head of our Saviour in silver, for the collection of Charles I. Algardi formed himself in the school of Flamingo. Even in his best Works he showed too plainly the art rather than the genius of the sculptor, and was too mannered, particularly in the folds of his draperies, which are in most instances the same in number and position. Rome abounds with his performances: those at St. Peter's are on a gigantic scale. An important, but ominous epoch in the history of Italian Sculpture, is the age of Bernini. His pa tron, Urban the VIIIth, encouraged his love of invention to so great au excess, that the chasteness of the antique was despised; and all the sound principles upon which the Roman and Florentine schools had been established, were superseded by those of the "Arte di Vedere." † Winkelmann says, that he stifled every sentiment of the beautiful in the wish of flattering the grosser passions, and that all his expressions are borrowed from vulgar nature. He particularly instances the Da and St. Theresa. Milizia, in his Vita degli Architetti, 8vo, 1785, T. II. p. 186, has given a complete Catalogue of Bernini's works in Sculpture: Busts and Portraits in marble 31; Statues and Groups 39; Bronzes 8. stance stance so surprized and delighted him, that he assured Bernini," that ten years would be added to his life by so unexpected a pleasure." Louis XIV. invited Bernini into France, by a letter written with his own hand, who obeyed the summons with pretended disinclination. He was conducted by the French Ambassador, complimented with a triumphal entry into Florence; and upon his arrival at Paris was so candid or cunning, that he declined any engagement in works of architecture or sculpture, probably from a consciousness that admirers were not predisposed to him as at Rome. He declared, "that France had no occasion for the display of his talents, while she possessed a Perrault or a Puget" for those who have preserved this anecdote, have ascribed the compliment both to the architect and sculptor. We cannot wonder that he would not come to England, though solicited by Lord Arundel, who wished to have purchased his Fountain of the Piazza Navona, or to have engaged him to repeat it. He remained in France eight months, rewarded by an ample pension; and upon his return, in proof of gratitude, he cast an equestrian statue of Louis XIV. for the Palace of Versailles. He first introduced an obelisk as the back ground of his mo numents. Few more extravagant examples of his conceit can be adduced than that upon the discovery of a fragment of an Obelisk at Rome. He mounted it on the back of a bronze elephant, as it now stands in the area before the Church of Santa Maria sopra. Minerva. Bernini was skilful in setting off his own works as an architect, in the Church of the Dioclesian. The false taste disseminated by the disciples of Bernini, influenced the Art of Sculpture in every country of Europe, during the lapse of nearly two centuries. The second French school of Puget and Bouchardon were ambitious of imitating him; and in our own nation, Sculpture, which was demanded ouly for sepulchral monuments, was supplied by foreign Artists, with a very few exceptions. Bernini's manner was so contrary to the antique, that it may almost serve as a negative definition of it. So servilely was heimitated for nearly a century after his death, that those works which belong to his school have not been of sufficient merit to preserve the names of their several Artists. Sculptors received small encouragement from the Popes or Roman nobility, during the latter half of the last century, for any of their own performances; because their talents were solely directed to the restoration of Statues, with which every fresh excavation supplied them in abundance. It is said that during the pontificate of Pius VI. not less than 2000 statues and fragments were brought to light, restored, named, and placed in the Pio-Clementine Museum, or dispersed among the various Cabinets in Europe. From this general censure, several of the works of Camillo Rusconi deserve to be excepted. Being a man of superior genius, be disdained to imitate the prevailing mode of design, and none of his contemporaries approached so nearly to the antique. His attitudes are animated, and his expression of the passions learned and successful. He had the art of blend ing happily the correctness and taste of the antients, with the dramatic fire of the moderns. Yet, during his life time, his admirers were few. (To be continued.) Extracts from SMYTHE'S MS "History of the Berkeley Family." Account of Lady KATHARINE BERKELEY *; continued from vol. LXXXVI. Part 11. p. 212. A DECLARATION of the Funeral of the Lady Katherine Berkeley, as it was performed on Thursday, the 20th of May, 1596, being Ascension-day. "Her corpse having continued at Callowdon, in the chamber where she died, honoured with all accustomed ceremonies as well by night as day, from Wednesday the seventh of April before, on which day she died, until the second evening before the funeral, when the coffin, with her whole body enclosed, was privately, by persons of good quality, conveyed by night to Coventry, to the house of Sampson Hopkins, in the end of +Carles-street, where, honoured with *Daughter of Henry Howard Earl of Surrey, and wife of Henry 11th Lord Berkeley. + Perhaps Earls, for it is not very legible. like ceremonies, it continued until the funeral hour, which was in manner following: "The whole train (as travelled) from Callowdon, and other places, assembled by ten of the clock in the forenoon, were by Garter King at Arms, and Chester Herald, set in order, and directed then to proceed from the said house to the Church of St. Michael in this man ner : "First, went six of your principal yeomen, called the conductors of the train, in long black cloaks, with black staves in their bands, directed to conduct the train all the length of that street, to the Bar gates, and thence to CrossCheaping; and so through the North side of Trinity Church-yard, to the great West door of St. Michael's Church, both sides of which passage, near a quarter of a mile long, was impaled by many thousands of people, assembled to behold the honour thereof. Next after those conductors, in mourning gowns and Holland kerchiefs, came seventy poor women; then came thirty gentlemen's servants in black coats; then followed the, servants of gentlemen and esquires in black coats; next them, the servants of knights, in black cloaks also; then came your Lordship's yeomen, and after them your gentlemen, (all two by two,) with some of the Lady Strange's gentlemen interplaced with them, yours being 74, whereof myself went as one of her Secretaries; then the officers of your household, as clerk of the kitchen, gentleman of the horse, auditor, and steward, in their gowns and hoods, your steward bearing a white rod in his hand. Next behind the steward, came Mr. Henry Beamont, bearing the great banner of honour; after him followed the esquires, and chief gentlemen of the country, as Mr. Clement Fisher, Mr. William Cotton, Mr. Elmes, Mr. Fulke Butteris, young Mr. Beamont; then came your Lordship's chaplains; and after them, and next before the coffin, went Chester the herald, assisted by Mr. Walter Denis, as a necessary marshal to the better direction of the train; the coffin was borne by eight of your chief gentlemen and yeomen, and supported by four other gentlemen of most note, viz. Master Edward Devereux, Sir John Spencer, Sir Thomas Leigh, and Mr. George Shirley, your son-in-law. "Near to the four corners thereof went four esquires, viz. Mr. Robert Spencer, son and heir of the said Sir John, Mr. Basil Fielding of Newnham, Mr. Samuel Marrow, and Mr. William Nor wood, each of them bearing a banneroll, with her Arms and your Lordship's quartered. "Next behind the coffin came Mr. Richard White as her gentleman usher, with a small white rod in his hand, accompanied with the gentleman usher of the Lady Strange, both of them bareheaded, between whom went Garter in his kingly coat of arms; next after them came the Lady Strange, eldest daughter to the late Earl of Derby, and for this day, principal mourneresse, in her gown, mantle, train, hood, and tippet of black, and in her paris head, tippet, wimple, vaile, and barbe of fine lawn, on whose right hand went your son, Mr. Thomas Berkeley, and on her left hand, your brother-in-law, Sir George Carey, supporting her by the arms, called the two principal assistants, who were apparelled in their gowns, hoods, and tippets of finest black. Then came Mrs. Audley Denis, bearing the train of the principal mourneresse, apparelled as an esquiresse, in her gown, and lined hood of black, with a plaited kerchief, and barb of lawn. "Then came Mrs, Elizabeth Berkeley, your daughter-in-law, and the Lady Ca. rey, side by side, apparelled as Baronesses, and in all points suitable to the principal mourneresse, save that their trains were tucked up, and not borne. Then followed in semblable order, Mrs. Devereux, and the Lady Leigh, apparelled as knights' wives, in their black gowns, hoods, and tippets, and in their round paris heads, bonnegrace, and barbes of fine lawn. "In answerable order, next came Mrs. Beamont and Mrs. Spencer, apparelled as knights' wives, like the former which seven' were called the seven principal mourneresses, and estates of the funeral. "Next after whom in like correspondency, two by two, came four esquiresses, viz. Mrs. Fielding, Mrs. Fisher, and her daughter, and Mrs. Dilkes, apparelled as the train-bearer, save that they wanted hoods. "Then followed the late Lady's gentlemen, the principal mourneresses two gentlewomen, knights and ́esquires wives gentlewomen, all like apparelled in black gowns, kerchiefs, and barbes of lawn, to the number of fourteen. "And next after these, came eight chambermaids, servants to the estates and ladies aforesaid, in gowns and kerchiefs of lawn only: all which was furnished at the only charges of your Lordship. "After all these, and last of all, came Mr. Mayor of Coventry, the Sheriffs, Aldermen, and Commons in great number, and good proportion. In this order passed this train withe slow slow steps, and frequent pauses, to the Church aforesaid. In the first aisle stood the foresaid 70 poor women, paling the passage on either side, through whom passed the whole action up to the East end of the Church, where the pulpit was purposely placed, and also the hearse.-The seven principal mourneresses were placed by Mr. Garter king at armes within the inward rail of the said hearse, with their faces towards the same, and the rest of the gentlemen ministers to the funeral were placed in the outer rails, about two yards distant from the pall of the coffin; all others sat in seats adjoining. The company thus placed, and the psalm ended, (which had received the corpse at the entrance into the Church); your chaplain, Edward Cowper, ascended the pulpit, and towards the end of bis learned sermon, took a fit occasion to speak of her learned and virtuous life; A lady, never known to dissemble, or heard to swear, with speech modestly carried,' sealed also with the knowledge of many hundreds there present, wrought such effect, that seldome hath been beheld a more sorrowful assembly at a subject's funeral, nor tears more dropping down. The sermon ended, another psalm was begun, during which, all such mourners as before are said to wear heads of lawn, together with the two assistants, walked in procession wise about the hearse; in which procession, the waiting gentlewomen and chambermaids were severed from the rest, and aptly seated on one side the aisle extend ing to the offertory, where they conti nued till all ceremonies were ended. But all the rest, by their circular walk, were seated in their former places; which done, the offertory began, first, by the principal mourneresses, and after, by the other six, each conducted by Mr. Garter; then were the banners offered up by such as formerly I have noted to bear them; which finished, Mr. Berkeley, your eldest son, was, by Mr. Garter, led to the offertory, and there by him invested with the honours of his deceased mother, by delivery and acceptance of the banners, and other ceremonies; which done, and he solemnly conducted back to his former place, then were next brought before the hearse, the two principal officers of the household, the steward and gentleman usher, who after many obeisances and humble reverences, brake their rods, commending them to the custody of the corps and bearse; which ceremony ended, the whole company arose, and in the order they came, returned to Mr. Hopkins' house aforesaid, and thence to Callowdon, where 57 "Thus the paper I delivered to this Lord. John Smith. "Her body was after interred in a vault, in the North-east corner of that Church, near the Draper's Chapel there; and I think it hardly possible to have all things better performed than were at this funeral, and after at the feast, wherein no error was by any observed to be committed; so careful were the servants of this Lord in their several offices and charges committed to them, who also for more comeliness had attired themselves the gentlemen in black sattin suits, and black silk stockings, with gold chains, folded in black scarfes, and the yeomen in silk sashes, grograms, and taffeties of black colours. Reliquet nomen, narrantur laudes. Topographical Account of the Parish of TOTTINGTON, in Norfolk. OTTINGTON is a small irregular TOT village in the hundred of Wayland, deanery of Breccles, and archdeaconry of Norwich, and lies on the road between Thetford and Watton, distant eight miles from the former, and four from the latter place. The parish is bounded on the north by Threxton, Little Cressingham, and Merton; by Merton and Thompson on the east; on the west by Stanford; and on the south by Wretham and Sturston. We find mention of no less than six manors in this parish; viz. Tottington or Mortimer's manor, Strange's, Stanford's, Campesse, Thetford-Monks', and Bokenham's or Macham's manors. All these had their rise from the two principal manors, Mortimer's and Stanford's. A full and particular account of the descent of property may be seen in Blomefield's elaborate History of this county, from which I have abridged a few particulars respecting the two principal manots, in order to shew how they became die vided. TOTTING TOTTINGTON or MORTIMER'S MANOR. Alwi, a Saxon, held it in the Confessor's time, and the Conqueror gave it to Robert Bigot*, of whom Ralph Fitz-Herlewin held it at the survey. It contained four carucates, three of which were demesne. The manor was worth 80s. afterwards it fell to 60s. The whole town was better than four miles in length, and two in breadth, and paid. 15d. to the gelt. It continued in the Bigots; and in King Stephen's time Hugh Bigot owned it, who divided it, and gave part to the Prior of Thetford, which constituted "Thetford-Monks' Manor," and the other part to John le Strange; and it appears that part of it was afterwards conveyed to Warner, or Warin de Tottington, who gave the tithes of his estate, which contained half a knight's fee, to Thetford priory. In 1195, there was a dispute between Robert Mortimer, of Attleburgh, and John le Strange, of Hunstanton, concerning five fees in Hunstanton, Tottington, &c.; and at last, Robert released the whole to John, and John gave the church to the nuns at Campesse, with all the lands belonging to it, excepting divers rents and services; that constituted the manor called " Stranges,' which continued in that family till John le Strange, of Hunstanton, esq. by deed dated 5 Hen. V. confirmed to the Prioress of Campesse his manor in Tottington, called Strange's, with all thereto belonging t. STANFORD'S MANOR. Alwin, a Saxon, owned this part in the Confessor's time, and Roger de Ramis held it, allotted him by the Conqueror. He gave it to Waregius, who held it at the Conqueror's Survey, when it was worth 20s. per ann. it being fallen half its value since Alwin's time. It contained three carucates, one of them being demesne. In 1275, Maud de Ebroicis granted to Thomas de Solariis, for life, with remainder to herself and heirs, this manor, which then contained two carucates. About 1290, Thomas de Ware held it at half a fee of Petronil de Vaux; in 1344, Osbert de Boyton died seized of this manor; and in 1466, it was settled in marriage by John Wyndham, esq. the father, on his son John and Margaret his wife, daughter of Sir John Howard, knt. afterwards Duke of Norfolk, and their heirs. "Bokenham's or Macham's Manor," had its rise out of Stanford's Manor, when Thomas de Ware settled half of it on Hugh de Bokenham, in 1345. It seems to have been divided soon after; for, in 1402, Thomas de Tottington held a part of it of the Honor of Richmond. In 1558, the manors were all joined, for Sir Richard Southwell, kat. suffered a recovery of the manors of Tottington, Stanford's, and Mortimer's, with the impropriation and advowson of the vicarage, to the use of himself for life; the remainder to Elizabeth, wife of George Heneage, daughter of * "Terra Rogeri Bigoti, Wanelund . In Totintuna, tenet Radulphus Filius Herluini iiii Car. terre quam tenuit Alwi T. R. E. tunc et post xv Villi. mo iiii. tune et post x bord. mo. xvii. tunc et post viii Ser. mo. iiii. xxiii Acr. prati, semper iii Car. in dnio. tunc et post v Car. hom. mo. iii. Silva xxx porc. modo i mol. et semper iii Soc. lxxxxv. Acr. tunc et post ii Car. mo. Nichil. sed possent esse. Semper i Runc. tune xvii. anim. mo xviiii. tunc xxii. Porc. mo. xii. tunc clx. ov. mo. cxl. iii minus. xxiiii. Capras. tunc lxiii Eque mo. xv. tunc et post val. lxxx Sol. et mo. Iv. Totum habet ii Leug in Lat. et i in Lat. quicumque ibi teneat. Et xv. den. de Gelto." Domesday, fol. 108. + Is it not therefore probable, that Strange's and Campesse manors were all one and the same? for the only account we meet with of the latter is, that at the dissolution this manor devolved to the Crown, with the impropriation and patronage, and was given by Hen. VIII. in 1530, with all the house, lands, &c. belonging to that Monastery, to Richard Southwell and his heirs, who was to hold it of the crown by the annual fee farm rent of 31. "Terre Rogeri de Ramis. . Wanelund. Totintuna tenet Waregius quam tenuit Aluuinus liber homo. T. R. E. iii Car. terre. tunc et post ix Vill. mo vii, tunc i Bor. tunc et post ii Serv. modo Nullus. xii Acr. prati, tunc et post i Car. in dnio. mo i et dim. tunc et post ii Car. homin. mo dim. semper ii Runc. et xv anim. tune xx Porc. mo v. tunc lxxx. mo xiiii. vi Capr. tunc et post val. xls. mo xx." Domesday, fol. 275. GENT. MAG. January, 1819. Sir |