Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen 29Gale Research Company, 1984 - 421 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Página 96
... speak of a player who " struts and frets " is simply , minus the melodramatic mode , to speak of someone who walks and cares , hence signifies acting and suffering and talking about both in view of others , which pretty well covers the ...
... speak of a player who " struts and frets " is simply , minus the melodramatic mode , to speak of someone who walks and cares , hence signifies acting and suffering and talking about both in view of others , which pretty well covers the ...
Página 186
... speaking role in the play's opening scene ) to Egeus , father of Hermia . Again , the change is clearly deliberate . Philostrate remains in the scene to speak only lines 83 to 87 ; he could be implicitly included among the ' Lords ...
... speaking role in the play's opening scene ) to Egeus , father of Hermia . Again , the change is clearly deliberate . Philostrate remains in the scene to speak only lines 83 to 87 ; he could be implicitly included among the ' Lords ...
Página 333
... speak ? Sebastian . I do ; and surely It is a sleepy language , and thou speak'st Out of thy sleep . What is it thou didst say ? This is a strange repose , to be asleep With eyes wide open ; standing , speaking , moving , And yet so ...
... speak ? Sebastian . I do ; and surely It is a sleepy language , and thou speak'st Out of thy sleep . What is it thou didst say ? This is a strange repose , to be asleep With eyes wide open ; standing , speaking , moving , And yet so ...
Índice
Magic and the Supernatural | 1 |
A Midsummer Nights Dream | 174 |
Cumulative Index to Topics | 404 |
Página de créditos | |
Otras ediciones - Ver todo
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen 28 Vista de fragmentos - 1984 |
Términos y frases comunes
action appear Ariel audience authority become beginning believe Caliban called character claim course critics death Demetrius described desire devil effect Elizabethan English evil example experience expression eyes fact fairies father fear feel Ferdinand figure final force give hand Helena Hermia human idea imagination important interest island kind King knowledge Lady Macbeth later least less lines live look lovers Lysander Macbeth magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature never once opening peare performance perhaps person play play's possible present Prospero Queen question reason relation response scene seems sense Shakespeare speak speech spirits stage suggests symbolic tells Tempest Theseus things thought tion tradition tragedy true turn witchcraft witches woman women