Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen 29Gale Research Company, 1984 - 421 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
Dentro del libro
Resultados 1-3 de 86
Página 150
... audience ; the second , in IV . i , has the opposite effect , making him unimportant , a point obliquely enforced by his frustrated rage . The play's perspective continues to work against him in the next two scenes ( IV . ii , iii ) ...
... audience ; the second , in IV . i , has the opposite effect , making him unimportant , a point obliquely enforced by his frustrated rage . The play's perspective continues to work against him in the next two scenes ( IV . ii , iii ) ...
Página 216
... audience , the result of an active cooperation . The audience is implicated in the play in at least two senses , for not only is the play , as we say rather loosely , " about " experience , that is , it comments upon how we live and ...
... audience , the result of an active cooperation . The audience is implicated in the play in at least two senses , for not only is the play , as we say rather loosely , " about " experience , that is , it comments upon how we live and ...
Página 309
... audience is just the least bit relieved to find the mage breaking his staff and drowning his books . Prospero , it will be remarked , has two speeches toward the end of The Tempest in which he bids farewell to his art . After breaking ...
... audience is just the least bit relieved to find the mage breaking his staff and drowning his books . Prospero , it will be remarked , has two speeches toward the end of The Tempest in which he bids farewell to his art . After breaking ...
Índice
Magic and the Supernatural | 1 |
A Midsummer Nights Dream | 174 |
Cumulative Index to Topics | 404 |
Página de créditos | |
Otras ediciones - Ver todo
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen 28 Vista de fragmentos - 1984 |
Términos y frases comunes
action appear Ariel audience authority become beginning believe Caliban called character claim course critics death Demetrius described desire devil effect Elizabethan English evil example experience expression eyes fact fairies father fear feel Ferdinand figure final force give hand Helena Hermia human idea imagination important interest island kind King knowledge Lady Macbeth later least less lines live look lovers Lysander Macbeth magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature never once opening peare performance perhaps person play play's possible present Prospero Queen question reason relation response scene seems sense Shakespeare speak speech spirits stage suggests symbolic tells Tempest Theseus things thought tion tradition tragedy true turn witchcraft witches woman women
Información bibliográfica
| Título | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen 29 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Editor | Gale Research Company, 1984 |
| Procedencia del original | la Universidad de Michigan |
| Digitalizado | 22 May 2008 |
| ISBN | 081039278X, 9780810392786 |
| N.º de páginas | 421 páginas |
| Exportar cita | BiBTeX EndNote RefMan |