Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen 29Gale Research Company, 1984 - 421 páginas This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Página 280
... Ariel , this is perhaps unambiguously clear only in his opening speech , but it is marked enough there to set up the analogy . Notice , in the following lines , how his obvious delight in magical per- formance is doubled by his pleasure ...
... Ariel , this is perhaps unambiguously clear only in his opening speech , but it is marked enough there to set up the analogy . Notice , in the following lines , how his obvious delight in magical per- formance is doubled by his pleasure ...
Página 286
... Ariel's release from the cloven tree , seem to have consisted mainly of shadow boxing . Perhaps by the time he releases the Italians from the cloven ship , he is ready for a real ene- my . During the early scenes he is clearly intent on ...
... Ariel's release from the cloven tree , seem to have consisted mainly of shadow boxing . Perhaps by the time he releases the Italians from the cloven ship , he is ready for a real ene- my . During the early scenes he is clearly intent on ...
Página 382
... Ariel allows him to burn by proxy , to burn like an avenger and like a lover too , for the language ( " boarded , " " now in the waist " ) confirms Prospero's own association of fire and sexuality . Caliban is grotesquely united with ...
... Ariel allows him to burn by proxy , to burn like an avenger and like a lover too , for the language ( " boarded , " " now in the waist " ) confirms Prospero's own association of fire and sexuality . Caliban is grotesquely united with ...
Índice
Magic and the Supernatural | 1 |
A Midsummer Nights Dream | 174 |
Cumulative Index to Topics | 404 |
Página de créditos | |
Otras ediciones - Ver todo
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen 28 Vista de fragmentos - 1984 |
Términos y frases comunes
action appear Ariel audience authority become beginning believe Caliban called character claim course critics death Demetrius described desire devil effect Elizabethan English evil example experience expression eyes fact fairies father fear feel Ferdinand figure final force give hand Helena Hermia human idea imagination important interest island kind King knowledge Lady Macbeth later least less lines live look lovers Lysander Macbeth magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature never once opening peare performance perhaps person play play's possible present Prospero Queen question reason relation response scene seems sense Shakespeare speak speech spirits stage suggests symbolic tells Tempest Theseus things thought tion tradition tragedy true turn witchcraft witches woman women