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sincerity of all sorts, down the comparatively smooth stream of which men slid, without effort and without thought, to the Revolution. No wonder that some powerful minds were trained by the former, and almost none by the latter.

SURVIVING WRITERS OF THE PRECEDING PERIOD.

With the exception of some two or three names, none of them of the highest class, to be presently mentioned, almost the only writers that shed any lustre on the first reign after the Revolution are those of a few of the survivors of the preceding era. Dryden, fallen on what to him were evil days and evil tongues, and forced in his old age to write for bread with less rest for his wearied head and hand than they had ever had before, now produced some of his most laborious and also some of his most happily executed works: his translation of Virgil, among others, his Fables, and his Alexander's Feast. Lee, the dramatic poet, discharged from Bedlam, finished two more tragedies, his Princess of Cleve and his Massacre of Paris, before, "returning one night from the Bear and Harrow, in Butcher-Row, through Clare Market, to his lodgings in Duke Street, overladen with wine, he fell down on the ground as some say, according to others on a bulk, and was killed or stifled in the snow," early in the year 1692.* The comic Etheredge also outlived the deposition of his patron James II., but is not known to have written anything after that event; he followed James to France, and is reported to have died characteristically at Ratisbon a year or two after: "having treated some company with a liberal entertainment at his house there, where he had taken his glass too freely, and, being, through his great complaisance, too forward in waiting on his guests at their departure, flushed as he was, he tumbled down stairs and broke his neck, and so fell a martyr to jollity and civility." Wycherley, who at the date of the Revolution was

*MS. note by Oldys, quoted in Biog. Dram. It was not known whether his death happened in this or the preceding year, till Mr. Peter Cunningham ascertained from the Burial Register that he was buried in the churchyard of St. Clement Danes on the 6th of April, 1692.-See Campbell's Specimens of the British Poets, edit. of 1844, p. 301.

† Biog. Dram., on authority of Biog. Brit., the writer in which says that he received this account from John Locker, Esq.

SURVIVING WRITERS OF THE PRECEDING PERIOD.

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under fifty, lived to become a correspondent of Pope, and even saw out the reign of Anne; but he produced nothing in that of William, although he published a volume of poems in 1704, and left some other trifles behind him, which were printed long afterwards by Theobald. Southerne, indeed, who survived till 1746, continued to write and publish till within twenty years of his death; his two best dramas-his Fatal Marriage and his Oroonoko-were both produced in the reign of William. Southerne,

though not without considerable pathetic power, was fortunate in a genius on the whole not above the appreciation of the unpoetical age he lived in: "Dryden once took occasion to ask him how much he got by one of his plays; to which he answered that he was really ashamed to inform him. But, Mr. Dryden being a little importunate to know, he plainly told him that by his last play he cleared seven hundred pounds, which appeared astonishing to Dryden, as he himself had never been able to acquire more than one hundred by his most successful pieces." Southerne, who, whatever estimate may be formed of his poetry, was not, we may gather from this anecdote, without some conscience and modesty, had worse writers than himself to keep him in countenance by their preposterous prosperity, in this lucky time for mediocrity and dulness. Shadwell was King William's first poetlaureate, and Nahum Tate his next. Tate, indeed, and his friend Dr. Nicholas Brady, were among the most flourishing authors and greatest public favourites of this reign: it was now that they perpetrated in concert their version, or perversion, of the Psalms, with which we are still afflicted. Brady also published a play, and, at a later date, some volumes of sermons and a translation of the Eneid, which, fortunately, not having been imposed or recommended by authority, are all among the most forgotten of books. Elkanah Settle, too, was provided for as city poet.

Among writers of another class, perhaps the most eminent who, having been distinguished before the Revolution, survived and continued to write after that event, was Sir William Temple. His Miscellanies, by which he is principally known, though partly composed before, were not published till then. John Evelyn, who, however, although a very miscellaneous as well as voluminous writer, has hardly left any work that is held in esteem for either style or thought, or for anything save what it may contain of positive information or mere matter of fact, also pub✦ Biog. Dram.

lished one or two books in the reign of William, which he saw to an end; for he died at the age of eighty-five, in 1706. Bishop Stillingfleet, who had been known as an author since before the Restoration, for his Irenicum appeared in 1659, when he was only in his twenty-fourth year, and who had kept the press in employment by a rapid succession of publications during the next fiveand-twenty years, resumed his pen after the Revolution, which raised him to the bench, to engage in a controversy with Locke about some of the principles of his famous essay; but, whether it was that years had abated his powers, or that he had a worse cause to defend, or merely that the public taste was changed, he gained much less applause for his dialectic skill on this than on most former occasions. Stillingfleet lived to the year 1699. Two other eminent theological writers of this reign, Cumberland and Bull, who both eventually became bishops, had also first acquired distinction in the preceding period. Cumberland's principal work is his Latin treatise De Legibus Naturæ, an attack of considerable acuteness on the philosophy of Hobbes; Bull, who is also the author of some sermons in English, is most celebrated for his Harmonia Apostolica, directed against Calvinism, 1669; his Defensio Fidei Nicenæ, 1685; and his Judicium Ecclesiæ Catholicæ, 1694; all in Latin.

John Norris, also, one of the last of the school of English Platonists, which may be considered as having been founded in the latter part of the seventeenth century by Cudworth and Henry More, had, we believe, become known as a writer some years before the Revolution; but the greater number of his publications first appeared in the reign of William, and he may be reckoned one of the best writers properly or principally belonging to that reign. Yet he is not for a moment to be compared for learning, compass of thought, or power and skill of expression, to either Cudworth or More. Norris's principal work is his Essay on the Ideal World, published in two parts in 1701 and 1702. He is also the author of a volume of religious poetry, of rather a feeble character, which has been often reprinted. Bishop Spratt, though a clergyman, and a writer both of prose and verse, cannot be called a divine; he had in earlier life the reputation of being the finest writer of the day, but, although he lived till very nearly the end of the reign of Anne, he published nothing, we believe, after the Revolution, nor indeed for a good many years before it. His style, which was so much admired in his own age, is a

Frenchified English, with an air of ease and occasionally of vivacity, but without any true grace or expressiveness.

Good old Richard Baxter, who had been filling the world with books for half a century, just lived to see the Revolution. He died, at the age of seventy-six, in the beginning of December, 1691. And in the end of the same month died, a considerably younger man, Robert Boyle, another of the most voluminous writers of the preceding period, and famous also for his services in the cause of religion, as well as of science. In the preceding May, at a still less advanced age, had died the most eminent Scotch writer of the period between the Restoration and the Revolution, Sir George Mackenzie, lord-advocate under both Charles II. and his successor; the author of the Institution of the Laws of Scotland, and many other professional, historical, and antiquarian works, but the master also of a flowing pen in moral speculation, the belles lettres, and even in the department of fancy and fiction-as may be gathered from the titles of his Aretina, or the Serious Romance, 1660; Religio Stoici, or the Virtuoso, 1663; Solitude preferred to Public Employment, 1665; Moral Gallantry, 1667. Mackenzie may be regarded as the first successor of his countryman Drummond of Hawthornden in the cultivation of an English style; he was the correspondent of Dryden and other distinguished English writers of his day; but he has no pretensions of his own to any high rank either for the graces of his expression or the value of his matter. Whatever may have been his professional learning, too, his historical disquisitions are as jejune and uncritical as his attempts at fine writing are, with all their elaboration, at once pedantic and clownish. He has nothing either of the poetry or the elegance of Drummond.

BISHOP BURNET.

The most active and conspicuous undoubtedly of the prose writers who, having acquired distinction in the preceding period, continued to prosecute the business of authorship after the Revolution, was the celebrated Dr. Gilbert Burnet, now Bishop of Salisbury. Of 145 distinct publications (many of them, however, only single sermons and other short pamphlets), which are enu

merated as having proceeded from his incessant pen between 1669 and his death, at the age of seventy-two, in 1715 (including, indeed, his History of his Own Time, and his Thoughts on Educa tion, which did not appear till after his death), we find that 71, namely 21 historical works and 50 sermons and tracts, belong to the period before the Revolution; 36, namely 5 historical works and 31 sermons and tracts, to the reign of William; and the remaining 38, namely one historical work and 37 pamphlets, to a later date. Many of what we have called historical works, however, are mere pamphlets: in fact Burnet's literary performances of any considerable extent are only three in number:-his Memoirs of James and William, Dukes of Hamilton, published, in one volume folio, in 1676; his History of the Reformation of the Church of England, 3 volumes folio, 1679, 1681, and 1714; and his History of his Own Time, in two volumes folio, published after his death in 1723 and 1734. There is enough of literary labour, as well as of historical value, in these works to preserve to the author a very honourable name; each of them contains much matter now nowhere else to be found, and they must always continue to rank among the original sources of our national history, both ecclesiastical and civil. In regard to their execution, too, it must be admitted that the style is at least straightforward and unaffected, and generally as unambiguous as it is unambitious; the facts are clearly enough arranged; and the story is told not only intelligibly, but for the most part in rather a lively and interesting way. On the other hand, to any high station as a writer Burnet can make no claim; he is an industrious collector of intelligence, and a loquacious and moderately lively gossip: but of eloquence, or grace, or refinement of any sort, he is as destitute as he is (and that is altogether) of imagination, and wit, and humour, and subtlety, and depth and weight of thought, and whatever other qualities give anything either of life or lustre to what a man utters out of his own head or heart. We read him for the sake of his facts only; he troubles us with but few reflections, but of that no reader will complain. He does not see far into anything, nor indeed, properly speaking, into it at all; for that matter he is little more, to adopt a modern term, than a penny-a-liner on a large scale, and best performs his

*We have for convenience of classification, reckoned each of the three volumes of the History of the Reformation a distinct publication, as it really was.

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