The Cloisters Cross: Its Art and MeaningMetropolitan Museum of Art, 1994 - 316 páginas The attribution to the abbey of Bury St. Edmunds - the name by which the cross was first known - is discussed at length. In rich and exacting detail the authors reveal, as do the splendid new color photographs by Malcolm Varon, just how the Cloisters Cross, in its imagery and consummate workmanship, bears "witness to a level of erudition and artistry seldom seen in the twelfth century or later." |
Índice
Foreword by William D Wixom page | 7 |
The Cross and Its History | 13 |
The Iconography of the Cross | 43 |
Página de créditos | |
Otras 11 secciones no se muestran.
Otras ediciones - Ver todo
The Cloisters Cross: Its Art and Meaning Elizabeth C. Parker,Charles T. Little Vista de fragmentos - 1994 |
The Cloisters Cross: Its Art and Meaning Elizabeth C. Parker No hay ninguna vista previa disponible - 2012 |
Términos y frases comunes
Abbot Adam and Eve altar angel Anglo-Saxon Anglo-Saxon Art Anselm antiphon artist Barking Abbey Bede Brazen Serpent Bury Bible Bury St Bury St Edmunds Caiaphas carved central medallion Cham chap Chapter Christian Church Cloisters Cross Confessors Corpus Christi College couplet Cross ill crossbar Crucifixion Crucis death depicted drama early Easter plaque Ecclesia Edmunds Edmunds Abbey England English Evangelist figures Friday plaque front Gospel Hebrew Holy Saturday Hoving Hyde Abbey Ibid iconographic inscription Isaias ivory Jeremias Jerusalem Jesus Jews John Kauffmann King Lamb medallion Lanfranc Latin Library ligno liturgy London Longland Lower shaft manuscript Master Hugo McLachlan Medieval Mersmann Missale monastic monks Moses Museum Old Testament Oslo Oslo corpus Passion Pilate processional cross prophets Psalter Regularis concordia Resurrection Romanesque roundel scene scroll sepulchre St.-Denis stylistic Suger symbols Synagogue terminal thee tion titulus tradition trans Tree twelfth century Vita Winchester words