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xxiv. 757, xxviii. 446, 719, xxxvi. 415; N. Amer. Rev., x. 21, (by Theo. Parsons,) xxi. 214, (by Wm. H. Prescott:) Lon. Athen., 1862, ii. 263.

Temple, Rev. William. CHARLES B., Nos. 20, 22.

See TAYLER, REV.

Templeman, James. 1. Alcander and Lavinia, 1807. 2. Alphonso and Clementina, with other Tales and Ballads, 1806, 12mo. 3. Gilbert; an Amatory Poem, 1808, 8vo and 4to.

Templeman, Peter, M.D., b. 1753; Secretary to the Society of Arts, Manufactures, and Commerce, 1760; d. 1769. 1. Curious Remarks and Observations in Physic, Anatomy, Chirurgery, &c.; from the Hist. and Mem. of the R. A. of Sci. at Paris, Lon., 1753-54, 2 vols. 8vo. 2. Travels in Egypt and Nubia; from the Danish of F. L. Norden, and enlarged with 160 plates, 1757, 2 vols. fol.; 1. p., r. fol.; largest paper, atlas fol.: original English edition. Without plates, 1757, 8vo. Jeffery's edition, 1757, (1792,) 2 vols. fol. Another ed., 1805, 2 vols. fol.

"The merits of Norden's work are of the most enduring and substantial kind, so far as relates to the Antiquities of Egypt and the Cataracts.”—Stevenson's Cat, of Voy. and Trav., No. 614. See, also, Dibdin's Lib. Comp., 453.

3. Practical Observations on the Culture of Lucern, Turnips, &c., 1766, 8vo. 4. Med. paper in Phil. Trans., 1746. See, also, WOODWARD, JOHN, M.D., No. 7; see

Nichols's Lit. Anec., vii. 413, (Index,) and Nichols's Conrad, and other Poems,

Illust. of Lit., v. 787. Templeman, R. A.

Lon., 12mo.

Templeman, Thomas, a writing-master at St. Edmund's Bury, d. 1729. New Survey of the Globe; or An Accurate Mensuration of all the Empires and Kingdoms of the World, in copper plates, Lon., 1729, fol. "I distrust both the doctor's learning and his maps."-GIBBON: Decline and Full, ch. i., notes.

Templer, Catherine B. See STIRLING, CATHERINE MARY.

Templer, John, D.D. 1. Serm., 1660, 4to. 2. Idea Theologiæ Leviathanis, &c., Lon., 1673, 8vo. 3. Serm., Camb., 1676, 4to. 4. Treatise relating to the Worship of God, 1694, 8vo.

Templeton. Musical Entertainment, Bost., 1845,

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Templeton, James. The Shipwrecked Lovers; a Tragedy, 1801, 12mo.

Templeton, John. Naturalization of Plants;

Trans. Irish Acad., 1799, and Nic. Jour., 1803.

Templeton, P. B. Arithmetical Rods, Lon., 8vo. Templeton, Timothy. Adventures of my Cousin Smooth: or, The Little Quibbles of Great Governments, Lon., 1857, 12mo.

Templeton, William. 1. Engineer's Pocket-Book, Lon., 12mo, annually. 2. Engineer's Commonplace Book of Reference, 1839, 12mo; 6th ed., 1865, 12mo. 3. Locomotive Steam-Engine Popularly Explained, 1841, 12mo; 2d ed., 1848, 12mo. 4. Mathematical Tables for Practical Men, 1841, 12mo; red. to 28., 1850. 5. Operative Mechanic's Workshop Companion, 1845, fp. 8vo; 9th ed., 1865, 18mo. 6. Millwright's and Engineer's Pocket Companion, 8th ed., 1849, 12mo; N. York, (by Julius W. Adams,) 1852, 16mo; 9th to 13th edits., by Samuel Maynard, Lon., 1852, '4, '6, '8, '61, 12mo; 14th ed., 1865, 12mo. 7. Incitements to the Study of Steam and the Steam-Engine, 1848, 18mo; new ed., 1853, 8vo; Phila., 1853, 16mo. 8. Engineer's, Millwright's, and Mechanic's Practical Assistant, Lon., 1862, 18mo; 3d ed., 1863, 18mo. Tenanti. Miscellaneous Sermons, Lon., 12mo. Tench, Watkin, Captain of the Marines. 1. Narrative of the Expedition to Botany Bay, &c., Lon., 1789, 8vo; in French, Paris, 1789, Svo. 2. Complete Account of the Settlement of Port Jackson, in New South Wales, 1793, 8vo. 3. Letters written in France to a Friend in London, Nov. 1794-May, 1795, 8vo, 1796.

149

Tendall, H. Complete System of Mental Arithmetic, Lon., 1846, 18mo.

Tenesles, Nicola. The Indian of New England and the North-Eastern Provinces, Middletown, 1851, 12mo. See Trübner's Bibl. Guide to Amer. Lit., ed. 1859, 252.

Tenison, Edward, Preb. of Lichfield, Mar. 17045; Archdeacon of Caermarthen, 1708; Preb. of Canterbury, Mar. 1708-9; Bishop of Ossory, 1731; d. 1735. 1. Serm., 1 Cor. x. 24, Lon., 1711, 4to. 2. Letter on the King's Supremacy, 1718, 8vo. 3. Serm., Dubl., 1733, 4to.

Tenison, Edward. Husbandry of Canary Seed; Phil. Trans., 1713.

Tenison, Lady Louisa Mary Anne, daughter of the first Earl of Lichfield, b. 1819, married in 1838 Ed-. ward King Tenison, Esq. 1. Sketches in the East, Lon., Nov. 1846, imp. fol., £5 58. ; col'd, £10 10s. 2. Castile and Andalucia; or, Observations made during a Two Years' Residence, with 24 drawings and 20 wood-cuts, 1853, imp. 8vo, £2 12s. 6d.; red. to £1 18.

"It is an unaffected and highly interesting record. Lady Louisa Tenison's illustrations prove her as skilful with the pencil as she is pleasant with the pen."-Blackw. Mag., Oct. 1853: (Rail and Saddle in Spain.)

Also commended by Lon. Athen., Spec., and Globe, all 1853.

bridgeshire, 1636; admitted a scholar of Benét College, Cambridge, 1653, and became Fellow and tutor, 1662; one of the University Preachers, 1665, about the same time Minister of St. Andrew's Church, Cambridge, and subsequently Rector of Holywell, Huntingdonshire; minister of St. Peter's Mancroft, Norwich, 1674; Vicar

Tenison, Thomas, D.D., b. at Cottenham, Cam

of St. Martin's-in-the Fields, London, 1680; Archdeacon of London, 1689; Bishop of Lincoln, 1691; Archbishop of Canterbury, 1694; d. 1715.

1. The Creed of Mr. [Thomas] Hobbes Examined, Lon., 1670, 18mo; 2d ed., 1671, 8vo.

"A judicious confutation."-Leland's Deist. Writers, Lett. III. 2. Idolatry; a Discourse, 1678, 4to.

"He was a very learned man, and took much pains to state the notions and practices of heathenish idolatry, and so to fasten that charge on the Church of Rome."-BISHOP BURNET: Hist. of his Own Times.

3. Baconiana; or, Certain Genuine Remains of Lord Bacon, (with a Preface,) 1679, 8vo; 1674, 4to. See BACON, FRANCIS, (p. 92, supra.) He also published a number Romanists, &c.: see Watt's Bibl. Brit. of separate sermons and controversial tracts against the His works have

never been collected.

Swift's contemptuous opinion of Tenison, who was a Whig, is well known, (see his Notes to Burnet's Own Times, edits. 1823, 1833, ea. 6 vols. 8vo;) but Calamy, Baxter, Garth, and others speak highly in his favour, and Burnet (ubi supra) names him among those who were "an honour both to the church and to the age in which they lived." See Memoirs of his Life and Times, 8vo, (8. a., but pub. soon after his death;) Biog. Brit.; Masters's Hist of C. C. C. C.; Dodd's Ch. Hist.; Chalmers's Biog. Dict.; Lon. Gent. Mag., 1851, ii. 138; BROWNE, SIR THOMAS, M.D., (p. 264;) WARD, THOMAS, NO. 2. His library and MSS. were sold at auction in June and July, 1861: see Lon. Gent. Mag., 1861, ii. 183, 308; Lon. Athen., 1861, i. 847, ii. 21; A Plea for Archbishop Tenison's Library, &c., by the Rev. Philip Hale, B.A., Curator of the Library, 1851, 8vo.

Tennant, Alex. Force of Imagination, and other Poems, Lon., 1837, 12mo. See Lon. Lit. Gaz., 1838, 148. Tennant, C. Renewal of the Bank of England Charter, Lon., 1856, 8vo.

Tennant, Charles. 1. State of Man; a Poem, Lon., 12mo. 2. Tour through Parts of the Netherlands, Holland, Germany, Switzerland, &c., in 1821-22, Lon.,

1824, 2 vols. 8vo. See, also, Lon. Quar. Rev., xlv. 97,

142.

Tennant, Mrs. Charles. France, Holland, and the Netherlands, a Century Ago; by Admiral Sir George Collier: Edited by his Granddaughter, Mrs. Charles Tennant, Lon., 1865, Svo.

"A charm there certainly is in Sir George's diary. It is like opening a portfolio of engravings of old France."-Lon. Reader, 1865, ii. 678.

Tennant, James, Professor of Geology in King's College, London, was b. early in the present century. With MITCHELL, REV. WALTER, Mineralogy and Crystallography, Lon., 1857, 12mo. Other geological, &c. publications: see Men of the Time, 1868, 774.

Tennant, Robert John, of Trinity College, Cam

2369

bridge. Sermons preached to the British Congregation | Thomson's Biog. Dict. of Em. Scots., ed. 1855, v. 554, (q. v. for a at Florence, Lon., 1844, 8vo. biographical notice of Tennant.)

Tennant, Smithson, an eminent chemist, b. at Selby, Yorkshire, Nov. 30, 1761, killed by a fall from his horse, near Boulogne, Feb. 22, 1815, contributed eight papers to Phil. Trans., 1791-1814, and one paper to Trans. Geolog. Soc., 1811. See Thomson's Ann. of Philos., vi. 80, (by Wishaw;) Encyc. Brit., 7th ed., xxi. 179, (by Dr. Thomas Young, and in his Works, vol. iii.) Tennant, William, LL.D., one of her Majesty's Chaplains in India. 1. Índian Recreations: Consisting chiefly of Strictures on the Domestic and Rural Economy of the Mahommedans and Hindoos, Edin., 1803, 2 vols.

8vo; 2d ed., with Additions, 1804, 2 vols. 8vo; vol. iii.,

1804, 8vo.

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Tennant, William, LL.D., a poet, and one of the most eminent of modern linguists, was b. in AnstrutherEaster, county of Fife, Scotland, May 15, 1784; entered the University of St. Andrew's, 1799, pursued his collegiate studies for two years, and subsequently became a clerk to his brother, a corn-factor, first at Glasgow, and afterwards at Anstruther-Easter; schoolmaster at Dunino, 1812-16, and at Lasswade, 1816-19; teacher of Oriental and Classical Languages at the Academy of Dollar, Clackmannanshire, 1819-34; Professor of Oriental Languages at St. Mary's College, St. Andrew's, 1834, (he also filled the Hebrew chair at Edinburgh College,) until his death, Oct. 15, 1848. 1. The Anster Concert, Cupar, 1811, pp. 12. This purports to be by W. Crookleg,—a name suggested by his lameness, which obliged him to use crutches all his life. It is in the Scottish dialect. Anster Fair; a Poem, in Six Cantos, Anstruther, 1812: Anon. 2d ed., with other Poems, Edin., 1814, 8vo, pp. 255; Balt., 1815, 12mo; 4th ed., 1820, fp. 8vo; again, 1821, fp. 8vo; 1838, 12mo; 1849, r. 8vo, (Chambers's People's ed.) The first edition was neglected for a year, when A. F. Tytler (Lord Woodhouselce) was struck with its merits, and requested of the publisher the name of the author. The second edition was favourably reviewed by Lord Jeffrey in Edin. Rev., Nov. 1814, 174-182. Anster Fair is written in the ottava rima of the Italians, much neglected by English poets since Fairfax's translation of Jerusalem Delivered, in which it was introduced to English readers.

2.

"William Tennant, in his very original poem of Anster Fair,' gave Frere and Byron more than a hint for Whistle-craft' and Beppo; nor is it unjust to say that the imitators have not at all equalled the life, the naïveté, the ludicrous dashed with the Bolemn, and the witty with both, which characterize the poet of Dollar."-ALLAN CUNNINGHAM: Biog. and Crit. Hist. of the Lit. of the Last Fifty Years.

"Tennant's first was, beyond all comparison, also his best poem."-D. M. MOIR: Sketches of the Poet. Lit., &c., ed. 1856, 191, (q. v.)

See, also, Blackw. Mag., i. 383, xii. 382; Analec. Mag., v. 367.

A

3. Papistry Storm'd; or, The Dingin Down of the Cathedral, (of St. Andrew's, at the commencement of the Reformation in Scotland,) fp. 8vo. This was commended by Lon. Rev., Lon. Lit. Chron., and Lon. Lit. Gaz., but attracted little attention from the public. 4. The Thane of Fife; a Poem, in Six Cantos, 1822, 8vo, pp. 264. failure; and therefore the remainder of the poem was not published. Specimens of the first six cantos will be found in Lon. Lit. Gaz., 1822, 51. See Blackw. Mag., March, 1822, 360*. 5. Cardinal Beaton; a Drama, in Five Acts, 1823, 8vo. Another failure. See extracts and reviews in Blackw. Mag., xiv. 421, and Lon. Lit. Gaz., 1823, 321. 6. John Balliol; a Historical Drama, in Five Acts, 1825, 8vo. Another failure.

"It is ill constructed, feeble, unpoetical, blurred with a multitude of blemishes, and altogether unworthy of the pen to which we are indebted for the very clever poem of Anster Fair."-Lon. Lil. Gaz., 1825, 1711.

7. Syriac and Chaldee Grammar, 1840. 8. Hebrew Dramas: Founded on Incidents of Bible History, 1845, fp. 8vo. Three dramas. "Free of the extravagance and bad taste of his former productions, [Nos. 3, 4, 5, and 6, supra,] while they abound in passages of poetical dignity and gracefulness."-Chambers's and

See, also, a Memoir of the Life and Writings of William Tennant, LL.D., &c., by Matthew Foster Conolly, Town Clerk of Anstruther, 1861, fp. 8vo.

"The worst attempt at memoir-writing we have ever met with. It is thoroughly ill done."-Lon. Athen., 1861, ii. 311, (q. v.) Tennant was a contributor to the Edinburgh Literary Journal, wrote some miscellaneous poems, including translations from the Persian, Greek, &c., and published, with a life of the poet, (see RAMSAY, ALLAN, No. 10,) the Works of Allan Ramsay, as a commencement of an

edition of the Scottish Poets.

Ireland, 1703, emigrated with his father to Philadelphia,

Tennent, Gilbert, b. in the county of Armagh,

1718, minister of a Presbyterian congregation at New Brunswick, N. Jersey, 1726-43, and of another (disciples of Whitefield) at Philadelphia from 1743 until his death, July 23, 1764. 1. XXIII. Sermons, Phila., 1744, 8vo. 2. Discourses, 1745, 12mo. 3. Sermons, 1758, 12mo. He also published many occasional sermons, some pamphlets, &c. See Serm. on his death, by S. Finley, D.D., &c., 1764, 8vo; Sprague's Annals, iii., Presbyterian, 3541; Dr. Alexander's Hist. of the Log College, 91-94; Sermons and Essays by the Tennents and their Contemporaries, 1855, 12mo.

"Gilbert Tennent, that soul of fire."-HENRY B. SMITH, D.D.: Hist. Address at St. Louis, 1855, 10.

Tennent, H. L., Fraser, Patrick, Murray, W. H., and Montgomery, J. L., Advocates. Reports of Cases decided in the Court of Session, Teind Court, Court of Exchequer, and House of Lords, 8vo vols., Edin.: 1st Ser., 1821-38; 2d Ser., 1838-52; 3d Ser., 1852, &c.: continued. See Cat. of Signet Lib., Part 1: Jurisp., 185-192, (Scotch Reports.)

Tennent, Sir James Emerson, K.C.S., LL.D., the son of William Emerson, Esq., of Belfast, and sonin-law of William Tennent, Esq., (whose name he assumed in 1832,) of Tempe House, county Fermanagh, Ireland, was b. at Belfast, 1804; educated at Trinity College, Dublin, and called to the Bar (but never practised) at Lincoln's Inn, 1831; M.P. for Belfast, 1832, 1835, 1837, 1842-45, and for Lisburn, Dec. 1851-Dec. 1852; Secretary to the India Board, Sept. 1841-July, 1845; K.C. of the Greek order of the Saviour, 1842; Civil Secretary to the Colonial Government of Ceylon, July, 1845, (in which year he was knighted,) till Dec. 1850; Secretary to the Poor-Law Board, Feb. till Nov. 1852, and also one of the joint Secretaries to the Board of Trade; made a baronet, Feb. 5, 1867; d. March, 1869. Under the name of Emerson, he published: 1. Letters from the Ægean, or Grecian Islands, Lon., 1829, 2 vols. p. 8vo; N. York, 1829, 12mo.

"A mine of Oriental information."-Lon. Rev.

2. History of Modern Greece from its Conquest by the Romans, B.C. 146, to the Present Time, Lon., 1830, 2 vols. 8vo; again, 1830, 2 vols. 8vo; 1845, 2 vols. 8vo.

"This important work will supply a deficiency often felt and regretted in English literature."-Lon. Globe.

"Presents a mass of valuable information."-Lon. Athen. pleasing in style, feeble in narrative, and full of portentous "It is thoroughly weak both in conception and execution, unblunders."-N. Brit. Rev., Feb. 1855, (Finlay on the Byzantine Empire.)

See, also, PECCHIO, COUNT GIUSEPPE, No. 4. Under the name of Tennent he has published: 3. Treatise on Copyright of Designs for Printed Fabrics, 1841, 8vo. See Lon. Athen., 1841, 205. Sir James carried the Copyright of Designs Act in Parliament, for which he received, in 1843, from the manufacturers, "a magnificent testimonial and service of silver plate, valued at £3000." 4. Belgium, 1841, 2 vols. p. Svo. Condemned by Lon. Quar. Rev., lxviii. 1-20, and Lon. Athen., 1841, 236; commended by Lon. Times, Lon. Standard, and Lon. Lit. Gaz. It is also noticed in Dubl. Univ. Mag., xvii. 535. 5. Christianity in Ceylon, 1850, 8vo. This work, the first instalment of No. 7, was condemned by Blackw. Mag., Feb. 1854, (A Sporting Settler in Ceylon; being a Review of S. W. Baker's Rifle and Hound in Ceylon, 1854, 8vo,) and commended by Lon. Athen., 1850, 1335; Lon. Lit. Gaz., 1851, 43; Lon. Spec., and Edin. Witness. 6. Wine its Use and Taxation, 1855, 8vo. See Lon. Athen., 1855, 644; JAMES, WM. BOSVILLE. 7. Ceylon: pographical; with Notices of its Natural History, Antian Account of the Island, Physical, Historical, and Toquities, and Productions, Illustrated by Maps, Plans, and Drawings, Oct. 1859, 2 vols. 8vo, pp. 1260, £2 108., (a copy was sold in Dec. for £4;) 2d ed., Dec. 1859, 2

vols. 8vo, £2 10.; 5th ed., with additions and corrections, May, 1860, 2 vols. 8vo, £2 108.

"The most copious, interesting, and complete monograph which exists in our language on any of the possessions of the British Crown."-Edin. Rev., Oct. 1859, 343-375, (q. r.)

"We have but briefly indicated the encyclopædic variety of this work, which might easily be divided into a library of interesting volumes."-Lon. Athen., 1859, ii. 493. See, also, 1860, ii. 196, 229.

Also commended by Revue Britannique, Feb. 1860; Revue Contemporaine, April, 1860; N. Amer. Rev., April, 1860. See, also, Univ. Rev., Nov. 1859; Westm. Rev., Jan. 1860; N. Brit. Rev., Feb. 1860. 8. Sketches of the Natural History of Ceylon, (repub. from No. 7, with additions, and new illustrations from original drawings,) Nov. 1861, p. 8vo, 12s. 6d.

“As it appears to us, this is the best portion of the preceding and larger work, and a better edition of that best part, in an independent and complete and augmented form."-Lon. Athen., 1863, ii. 620.

“A book not only interesting to the general reader, but of value to the student of natural history."-N. Amer. Rev., July, 1862, 129-138, (by William T. Brigham.)

See, also, Colburn's New Monthly Mag., Dec. 1861. 9. Story of the Guns, 1864, p. 8vo. In favour of the Whitworth guns as compared with those of Sir William Armstrong. It was severely censured by Lon. Reader, 1864, i. 96, and answered in Another "Story of the Guns;" or, Sir Emerson Tennent and the Whitworth Gun, by the Fraser [June, 1864] Reviewer, Camb., 1864, Svo. 10. The Wild Elephant, and the Method of Capturing and Taming Him, 1867. Sir James was also the author of the articles Tarshish, Trincomalie, and Wine and Wine-Making, in Encyc. Brit., 8th ed., xxi., (Dec. 1860.)

1853. 1. Geology for Teachers, Classes, and Private Students, Phila., 1859, 12mo. About six edits. to 1864. 2. Natural History: a Manual of Zoology for Schools, Colleges, and the General Reader, with over 500 engravings, N. York, 1865, 8vo.

Tenney, Mrs. Sanborn. Pictures and Stories of Animals for the Little Ones at Home, with 500 wood engravings, N. York, Svo, 1868, 6 vols.: i., Quadrupeds; ii., Birds; iii., Fishes, &c. ; iv., Bees, &c. ; v., Sea Shells, &c.; vi., Sea Urchins, &c.

Tenney, Tabitha, the wife of Samuel Tenney, M.D., (supra,) and daughter of Samuel Gilman, was b. at Exeter, N.H., 1762, and d. at the same place, May 2, 1837. 1. New Pleasing Instructor, 12mo. Composed of selections for young ladies. 2. Female Quixotism: Exhibited in the Romantic Opinions and Extravagant Adventures of Dorcassina Sheldon, 2d ed., Newburyport, 1808, 12mo; Bost., 1829, 2 vols.; 1841, 3 vols. 18mo. Extracts from this amusing novel will be found in Duyckinck's Cyc. of Amer. Lit., i. 505.

Tenney, William C. Memoir of Mrs. Caroline P. Keith, Missionary of the Protestant Episcopal Church to China; Edited, N. York, 1864, 12mo. Tenney, William Jewett, b. at Newport, R.I., 1811; graduated at Yale College, 1832. 1. The Military and Naval History of the Rebellion in the United States, &c., N. York, 1865, r. 8vo, pp. x., 843. See, also, The American Conflict, by Horace Greeley, Hartford; 1866, 2 vols. 8vo; Pictorial History of the Civil War, by B. J. Lossing, 8vo: vol. i., Phila., 1866; vol. ii., Hartford, 1867: Woman's Work in the Civil War, Phila., 1867; The Negro in the American Rebellion, by W. W. Brown, Bost., 1867, 12mo; The Rebellion Record, N. York, 1861

12mo. He completed and made all the Indexes to Benton's Abridgment of the Debates of Congress, (left unfinished at Benton's death ;) edited the Queens of England, Illustrated, 1852, &c., 8vo, and (Appleton's) American Annual Cyclopædia; was co-editor of the Journal of Commerce, (N. York,) 1841, and of the New York Evening Post, 1842-3, 1847-8, and editor of The Mining Magazine, (monthly,) N. York, 1853, &c., 8 vols. 8vo; and contributed to Hunt's Merchant's Magazine.

Tennent, John, a physician, of Virginia. 1. Es--65, 8 vols. 8vo. 2. A Grammatical Analysis, 1866, say on the Pleurisy, Williamsburgh, 1736; N. York, 1742. It is asserted that in this Essay the "virtues of the Seneca snake-root were first brought into view." He treats of the same in Nos. 2 and 3. 2. Epistle to Dr. Richard Mead concerning the Epidemic Diseases of Virginia, Edin., 1738, Svo: 1742, 8vo. See Rich's Bibl. Amer. Nova, i. 68, and No. 1, supra. 3. Observations on the Senekka Snake-Root, Lon., 1741, 8vo. See No. 1. 4. Epistle to Dr. Mead respecting the Bite of a Viper and its Poison, Edin., 1742, Svo. See Ramsay's Rev. of the Imp., &c. of Medicine, 36.

Tennent, Thomas, chronometer and nauticalinstrument maker, San Francisco, California. Tennent's Nautical Almanac for the Pacific Coast, California Tide Register, and Marine Digest, for 1868, San Francisco, 1868, SYO.

Tennent, William, a brother of Gilbert Tennent, (supra,) was b. in the county of Antrim, Ireland, 1705; emigrated with his father to Philadelphia, 1718, and was minister of a Presbyterian congregation at Freehold, N. Jersey, from Oct. 25, 1733, until his death, Mar. 8, 1777. He contributed a sermon to Sermons on Sacramental Occasions, 1739, and published a Sermon upon Matt. v. 23, 24, 1769. Some Statements of his will be found in Prince's Christian History. See Life of Rev. William Tennent, with an Account of his being Three Days in a Trance, N. York, 1847, 18mo; Sprague's Annals, iii., Presbyterian, 52-62; Sermons and Essays by the Tennents and their Contemporaries, 1855, 12mo; Blackw. Mag., iv. 693; Storr's Constit. of the Human Soul, 1857, 317.

Tenney, Caleb Jewett, D.D., b. in Hollis, N.H., 1780; minister at Wethersfield, Conn., 1816-40; d. at Northampton, Mass., 1847; published two Discourses on Baptism, and several sermons, 1816-31. See Sprague's Annals, Trin. Congreg., ii. 472-475.

Tenney, Leonard. Funl. Serm. on Rev. L. Ainsworth, Jaffrey, N.H., Bost., 1858, 8vo.

Tenney, Mary Davy, b. at Brookdale, Penna., 1833. 1. Inglenook Memoirs. 2. Letters upon Human Experience. Contributor to Young Men's Mag., Ladies' Wreath, N. York Teacher, &c.

Tenney, Samuel, M.D., a native of Byfield, Mass., graduated at Harvard College, 1772; M.C., 1800-7; d. 1816. He contributed to the Mem. of Amer. Acad. of Arts and Sci., Med. Repos., Collec. Mass. Hist. Soc., Trans. Mass. Agr. Soc., &c. See Thacher's Amer. Med. Biog., ii. 117-121.

Tenney, Sanborn, Lecturer on Physical Geography and Natural History in the Massachusetts Teachers' Institute, and subsequently Professor of Natural History in Vassar Female College, was b. at Stoddard, New Hampshire, 1827, and graduated at Amherst College,

Tenniel, John, a painter, b. in London, 1820, is best known by his illustrations to books,-Esop's Fables, Undine, Lalla Rookh, The Ingoldsby Legends, &c.,Punch, and Once a Week. See his Cartoons from Punch, with Explanatory Notes by Mark Lemon, 1864, r. 4to. He was a successful candidate in one of the Cartoon Competitions in Westminster Hall, in 1845, and painted a fresco in the Palace at Westminster.

Tennison, Richard, Bishop of Meath, Ireland. 1. Serm., 2 Chron. xxviii. 9, 1690, 4to. 2. Serm., Funl. of Bishop Hopkins, Col. iii. 4, 1690, 4to. 3. Serm., Rom. xii. 2, 1695. 4to.

Tennoch, William. Examination of the Overtures Com. Gen. Assemb. conc. Kirk Sessions, &c., Edin., 1721, 12mo.

In

Tennyson, Alfred, D.C.L., the greatest of living poets, (1870,) was b. 1810, at Somersby, Lincolnshire, of which parish the Rev. Dr. George Clayton Tennyson (a descendant of the ancient and noble family of D'Eyencourt, now represented by the poet's uncle, the Rt. Hon. Charles Tennyson D'Eyencourt, M.P.) was Rector. Dr. Tennyson's three eldest sons, Frederick, Charles, and Alfred, were all educated at Trinity College, Cambridge, and pupils of the Rev. Dr. Whewell, afterwards Master, then one of the tutors, of that famous seat of learning, which has fitted so many disciples for eminence in scientific lore and literary research. 1828 Frederick Tennyson took the medal for a Greek poem recited at the commencement of that year; in 1829 Alfred gained the Chancellor's medal for his English prize poem (consisting of about 250 lines) of Timbuctoo; also published in 1829; in 1827 Alfred and Charles had published, without their names, a small volume, entitled Poems by Two Brothers, (Simpkin, 12mo, 58.; cr. 8vo, 78. ;) long liber rarissimus. Charles's portion of this collection was preferred by Coleridge to that of Alfred; and in his account of his second visit (in 1848) to Wordsworth, Mr. R. W. Emerson tells us,

"Tennyson he [Wordsworth] thinks a right poetic genius, though with some affectation. He had thought an elder brother of Tennyson at first the better poet, but must now reckon Alfred the true one."-English Traits, Lon., 1857, 166. See TENNYSON, CHARLES.

"I saw Tennyson in London several times. He is decidedly the first of our living poets, and I hope will give the world still

better things. You will be pleased to hear that he expressed, In the strongest terms, his gratitude to my writings."-Wordsworth to Prof. Henry Reed, 1845.

Since this joint venture, Alfred (who succeeded Wordsworth as Poet-Laurate, Nov. 21, 1850, and received the degree of D.C.L. from Oxford in 1855) has given to the world the following volumes.

1. Poems, chiefly Lyrical, Lon., 1830, fp. 8vo. "Mr. Tennyson has made some very touching and some very animating melodies; he is master of musical combinations; his Songs set themselves, and generate their own tunes, as all songs do which are good for any thing."-Westm. Rev., xiv. 210.

"We are extremely pleased with Mr. Tennyson. . . . Some of his scattered thoughts are eminently beautiful."-Lon. Atlas, June 27, 1830.

The volume was commented on by Professor Wilson in Blackwood's Magazine, May, 1832, (xxxi.) 720-741, (repub. in Wilson's Works, vi. 109–152, 1856,) with both praise and censure. In the Noctes Ambrosianæ for the preceding February, Wilson remarks,

"He has a fine ear for melody, and harmony too-and rare and rich glimpses of imagination. He has genius.... . I admire Alfred, and hope-nay, trust-that one day he will prove himself a poet. If he do not-then am I no prophet."-xxxi. 277. See, also, Feb. 1836, (xxxix.) 265.

2. Poems, 1832, (some 1833,) fp. 8vo, pp. 163. Consisting partly of reprints with alterations, partly of new pieces.

"Lately I have been reading some of Alfred Tennyson's second volume, and with profound admiration of his truly lyric and idyllic genius. There seems to me to have been more epic power in Keats, that fiery, beautiful meteor; but they are two most true and great poets."-JOHN STERLING: Letters.

"He has lyrical ease and vigour, and is looked upon by sundry critics as the chief living hope of the Muse."-ALLAN CUNNINGHAM: Biog. and Crit. Hist., 1833.

Reviewed with great severity in Lon. Quar. Rev., xlix. 81-96, and with mingled praise and censure in Lon. Athen., 1832, 770, and Lon. Lit. Gaz., 1832, 772. 3. Poems, 1842, 2 vols. 12mo; 17th ed., 1865, fp. 8vo; Boston (Ticknor & Fields) edits.: 1842, 2 vols. 16mo; Blue and Gold, complete, 1856, 32mo; same, with Idylls of the King, Jan. 1861, 2 vols. 32mo; Cabinet, (uniform with Pickering's Aldine Brit. Poets,) Sept. 1862, 2 vols. 16mo. Tauchnitz of Leipsic publishes Tennyson's poems in 4 vols., in his Copyright Collection of British Authors.

"The first of these two volumes consists of republished poems, and may be regarded, we presume, as all that Mr. Tennyson wished to preserve of his former editions. He has sifted in most cases his earlier harvests, and kept the better grain. There are some additions of verses and stanzas here and there, many minute changes, and also beneficial shortenings and condensations. The second volume, however, is on the whole far advanced in merit beyond the first. There is more clearness, solidity, and certainty of mind visible in it throughout: especially some of the blank-verse poems-a style almost unattempted in the earlier series-have a quiet completeness and depth, a sweetness arising from the happy balance of thought, feeling, and expression, that ranks them among the riches of our recent literature."-Lon. Quar. Rer., Sept. 1842, (lxx.) 395. "Powers are displayed in these volumes, adequate, if we do not deceive ourselves, to the production of a great work; at least, we should find it difficult to say which of the requisite powers is wanting. But they are displayed in fragments and snatches, having no connection, and therefore deriving no light or fresh interest the one from the other. By this their effective value is incalculably diminished."-Edin. Rev., April, 1843, (lxxvii.) 390.

"Two volumes of poems, partly old ones revised and partly new, which placed him at once at the head of contemporary poetry in England, and have kept him there ever since."-Edin. Rev., Oct. 1855, (cii.) art. viii.

See, also, reviews of Tennyson's Poems in Westm. Rev., xxxviii. 371, li. 265; Brit. Quar. Rev., ii. 46; Blackw. Mag., lxv. 453; Fraser's Mag., xlii. 245; Lon. Athen., 1842, 700; Lon. Lit. Gaz., 1842, 788; Dem. Rev., xiv. 62: Amer. Whig Rev., xii. 176; Chris. Rev., xvi. 86, (by G. P. Fisher;) Chris. Exam., xxiii. 305, (by J. S. Dwight,) xxxiii. 237, (by C. C. Felton :) South. Lit. Mess., x. 240; N. Eng., iii. 57; Eelec. Mag., vi. 205, xi. 161, xiii. 289, xvii. 169; Select Jour. of For. Lit., ii. 106; and general references below.

human gradually rises higher and higher into the moral."Edin. Rev., Oct. 1849, (xc.) 398, (same in Eclec. Mag., xix. 66.) "The Princess is not a drama, nor is it a fairy-tale in verse, but a fantastic metrical romance. . . . The second title of this lively performance points out its principal object: it is a medley, intermixture of the modes and phrases of all ages, past and and, we must think, a somewhat incongruous one. The fearless present, is a resource better fitted for a brief jeu d'esprit than for a work of this compass; but that is not the worst. The main web of the tale is a gossamer fabric, and can ill sustain the heavy embroidery raised upon it: the low key at which it is pitched indisposes the mind for the higher strains to which the piece changes. . . . The faults of the poem are soon numbered and ticketed: it is more difficult to do justice to its beauties." -Lon. Quar. Rev., Dec. 1847, (lxxxii.) 439, 445, 451.

"However it grew, it is a charming melody; and that purposed anachronism which runs throughout, blending new and old, new theory and old romance, lends to it a perpetual piquancy."-Blackw. Mag., April, 1819, (lxv.) 463.

Taken as a whole, we must pronounce it a beautiful poem, the production of a truly poetical mind, and showing the most indisputable marks of a high artistical power superintending the creation and arrangement and classification of the whole.”— Lon. Gent. Mag., 1848, i. 131.

"Regarding "The Princess,' it is no marvel that such a contrariety of opinion has been expressed by seemingly competent judges. Its beauties and faults are so inextricably interwoven, and the latter are so glaring and many-nay, often apparently so wilful,-that, as a sincere admirer of the genins of Tennyson, I could almost wish the poem had remained unwritten. I admit the excellence of particular passages; but it has neither general harmony of design nor sustained merit of execution.”— D. M. MOIR: Sketches of the Poet. Lit., dc., 3d ed., 1856, 316.

See, also, N. Brit. Rev., ix. 43; Eclec. Rev., 4th Ser., xxiii. 415; Amer. Whig Rev., viii. 28, (by C. A. Bristed ;) N. Eng., vii. 193; Liv. Age, xvi. 441, (from Lon. Exam.)

5. In Memoriam, May, 1850, fp. 8vo; Bost., 1850, 16mo; 3d ed., Lon., Aug. 1850, fp. 8vo; 4th ed., Jan. 1851, fp. 8vo; 17th ed., 1865, fp. 8vo; on tinted paper, with a Biographical Sketch and vignette of A. H. Hallam, and a steel portrait of Tennyson, Bost., (Ticknor & Fields, the only authorized publishers in America of Tennyson's works,) Nov. 1861, 8vo. See HALLAM, ARTHUR HENRY,-whose Remains, with the Memoir, pp. 363, privately printed in 1834, (100 copies,) and reprinted in 1853, were first published Lon., 1863, fp. Svo, Bost., 1863, 16mo: see Lon. Reader, 1863, i. 31; Lon. Athen., 1859, i. 151; 1863, i. 85; Atlantic Mon., Dec. 1860; Arthur Henry Hallam, by John Brown, M.D., &c. tracted from Horæ Subsecivæ, Edin., 1862, fp. 8vo.

Ex

In Memoriam appeared without a name, (see Lon. Gent. Mag., 1850, ii. 59, Lon. Athen., 1850, 629 ;) nor was a name needed.

"Although in some few places this work wants that perfect polish which distinguishes the author's lesser poems, upon the whole it is not only the best specimen of poetical skill which Mr. Tennyson has produced, but it surpasses, in this respect, all poems of equal magnitude written during the past century.”— Edin. Rev., Oct. 1855, (102,) art. viii.

The same periodical also asserts, in another place, that "In Memoriam is the most exquisite creation by any man of genius during the last forty years."

"In Memoriam' comes more intimately home to English sympathies than Lycidas' or Adonais,' and may be pointed to, perhaps, as the one special monody to which beauty of form and feeling have given an universal currency."-Lon. Athen., 1863, i. 85.

See, also, Westm. Rev., liv. 85; N. Brit. Rev., xiii. 473; Eelec. Rev., 4th Ser., xxviii. 330; Lon. Lit. Gaz., 1850, 407; 1851, 52; Amer. Whig Rev., xiii. 534; Dem. Rev., xxvii. 204: Brownson's Quar. Rev., 2d Ser., iv. 539: N. Eng., viii. 598; Eclec. Mag., xxi. 209; Liv. Age, xxvi. 167, (from Lon. Spec.;) N. Amer. Rev., lxxxiii. 115, (by Rev. W. R. Alger,) xevii. 399, (by Rev. J. H. Ward;) Farrar's Crit. Hist. of Free Thought, 1863, Lect. I., notes: Lon. Reader, 1863, i. 500, 531. With In Memoriam should be bound up an Index to "In Memoriam,” Jan. 1862, fp. 8vo, and An Analysis of Mr. Tennyson's In Memoriam, by the late Rev. Frederick W. Robertson, M.A., Nov. 1862. fp. Svo. 6. Ode on the Death of the Duke of Wellington, Nov. 1852, 8vo; revised, 1853, 8vo. See Lon. Crit., 1852, 619; Lon. Athen., 1852, 1263; 1853,

4. The Princess: a Medley, Lon., 1847, fp. 8vo; Bost., 280. 7. Maud, and other Poems, Dec. 1855, fp. 8vo; 1848, 16mo; 13th ed., Lon.. 1865, fp. 8vo.

"This piece, though full of meanings of abiding value, is ostensibly a brilliant serio-comic jeu d'esprit upon the noise about woman's rights,' which even now ceases to make itself heard anywhere but in the refuge of exploded European absurdities beyond the Atlantic. . . . Mr. Tennyson has proved himself to be possessed of artistic faculties which put it out of the question that he should himself be thoroughly satisfied with this performance."-Edin. Rev., Oct. 18:5, (cii.) art. viii. "The abundant grace and descriptive beauty which meet the superficial eye constitute but its external charm. Studying his work with that attention which the labours of a true poet should always command, we soon discover that, while fantastic In its subject, it is eminently human in sentiment, and that the

Bost., 1855, 16mo; 7th ed., Lon., Dec. 1865, fp. 8vo.

"We have at last received Maud, and we have risen from its perusal dispirited and sorrowful. It is not a light thing nor a trivial annoyance to a sincere lover of literature to have it forced upon his conviction that the man who has unquestionably occupied for years the first place among the living British poets is losing ground with each successive effort."-Block w. Mag., Sept. 1855, (78.) See, also, Sept. 1856, (Ixxx.: Macaulay.)

"We have in Maud' scarcely more than a residuum of Alfred Tennyson; the wide sweeping intellect, the mild philosophy, the healthy pathos, the wondrous melody, have almost all vanished, and left little more than a narrow scorn which piques itself on its scorn of narrowness, and a passion which clothes itself in exaggerated conceits."- Westm. Rev., Oct. 1855: (Contemp. Lát.)

"We now turn with diminished pleasure from In Memoriam' to Mr. Tennyson's recently published volume of ‘Mand, and other Poems; for the qualities we appreciate most highly in the former are precisely those which are most wanting in the latter." -Elin, Rer., Oct. 1855, (102,) art. viii.

"Even in the wildest rhapsodies of 'The Princess' Mr. Tennyson has never been so careless, visionary, and unreal as in this poetical treatment of a plain, popular, and literal theme. “Maud' is an allegory of the War. Little more is to be said in the way of criticism:-and that little we add with great reluctance. This volume is not worthy of its author."-Lon. Athen., 1855, 895. See, also, Lon. Lit. Gaz., 1855, 483; Oxf. and Camb. Mag., Jan. 1856, 62; N. Amer. Rev., 1xxxi. 544; Putnam's Mon. Mag., Sept. 1855, 318; Liv. Age, xlvi. 654, (from Lon. Exam. and Lon. Spec.;) Macmillan's Mag., Dec. 1859, (The Quarterly Review and Mr. Tennyson's Maud :) Bost. Rev., Jan. 1862; Lon. Reader, 1865, i. 701; MANN,

ROBERT JAMES, No. 8.

8. The Idylls of the King, July 11, 1859, 12mo: sale in six weeks, about 10,000 copies; Bost., July 23, 1859, 16mo: 9th 1000 issued Aug. 1, and 11th 1000 Aug. 12, 1859. New ed., with a Dedication to the Memory of the late Prince Consort, Lon., Feb. 1862, 12mo. Dedication and new title sold separately.

"The Princess Alice has written a letter to Mr. Tennyson, by command of Her Majesty, expressing the pleasure and consolation which the Queen has derived from the dedication to the late Prince Consort which he has prefixed to the new edition of the Idylls of the King."

The Art Union of London offered (Dec. 1859) a premium of 100 guineas for the best set of illustrations in shaded outline, or pure outline, of the Idylls of the King. Four Outlines from Idylls of the King, designed by F. S. A., were issued in January, 1861.

"The volume constitutes an accession of no small importance to the classical literature of England, and will be read with admiration wherever the language of England is spoken."-Edin.

Rer., July, 1859.

"It raises the character and the hopes of the age and the country which have produced it."-Lon. Quar. Rev., No. ccxii., Oct. 1859.

"The most polished language spoken since the spirit in Comus fled higher than the sphery clime; the purest written since our Bible was translated.”—Brit. Quar. Rev.

"Tennyson's master-piece."-Lom. Eclec. Rer.

"Mr. Tennyson's greatest poetical effort."-N. Brit. Rev., Nov. 1859. "Mr. Tennyson has enriched the world with his best and most artistic work."-Lon. Athen., 1859, ii. 73. See, also, 1862, i. 67.

See, also, Westm. Rev., Oct. 1859, (by Mr. Nichol;) Bentley's Quar. Rev., Oct. 1859; Univ. Rev., Aug. 1859; Nat. Rev., Oet. 1859; Lon. Rev., Oct. 1859; Macmillan's Mag., No. i., art. v., (by J. M. Ludlow :) Fraser's Mag., Aug. 1859; Lon. Illust. News, July, 1859; Chris. Exam.; N. Amer. Rev., Oct. 1859, and (by Rev. C. C. Everett) Jan. 1860; N. Eng., Feb. 1860, (by George B. Bacon.)

9. A Welcome, 1863, pp. 4. This poetical address to the Princess Alexandra of Denmark, the

"Sea-kings' daughter from over the sea,'

married in London, March 10, 1863, to H.R.H. Albert Edward, Prince of Wales, was originally published in the London Times.

Mr. Tennyson contributed to Punch, (verses signed Alcibiades,) Feb. 28 and March 7, 1846; to London Times, May 9, 1859, (verses on The War;) to Once a Week, July, 1859, (The Grandmother's Apology;) to Macmillan's Magazine, Jan. 1860, (Sea Dreams: an Idyll :) to the Cornhill Magazine, Feb. 1860, (Tithonus: see Lon. Crit., Jan. 28, 1860,) and Dec. 1863, (Attempts at Classic Metres in Quantity, four poems :) a cantata on the Opening of the International Exhibition, London, May 1, 1862, (see Lon. Athen., 1862, i. 564 ;) and poems to The Tribute, edited by Lord Northampton, 1837, 8vo, and Victoria Regia, (The Sailor Boy.) edited by Miss Adelaide Anne Proctor, Dec. 1861, sup. r. 8vo. Specimens of his poetry will be found in Griswold's Poets and Poetry of England, 1844, 8vo; Serymgeour's Poetry and Poets of Great Britain, 1850; Poetic Album, or Gems from Tennyson, Mr. Browning, and Alexander Smith; G. 8. Hillard's First-Class Reader, 1856; Three Gems in One Setting, by A. L. Bond, The Poet's Song, Tennyson, &e., Oct. 1860; Coppée's Gallery of Famous Poets, 1859; Favourite Authors, Dec. 1861; and other collections.

ILLUSTRATED EDITIONS OF TENNYSON'S WORKS. I. Poems, May, 1857, (some 1858.) large 8vo, pp. 376, £1 11. 6d., (Moxon :) red., 1859, to £1 18., (Routledge.) With 55 illustrations on tinted paper, by W. Mulready, C. Stanfield, T. Creswick. D. Maclise, J. E. Millais, J. C. Horsley, W. H. Hunt, and D. G. Rossetti.

"A beautiful and splendid book; worthy of the artists engaged, and worthy of the poet beloved by all artists."-Lon. Athen., 1857, 693.

See, also, Westm. Rev., Oct. 1857, (Belles-Lettres.) "No reader, young or old, should come to the perusal of Tennyson with such illustrations on the page before him to trammel his fancy and to materialize his conceptions."-Lon. Lit. Gaz. "The illustrated Tennyson," remarks another authority, "succeeded so little with public taste that 8000 copies were sold to Messrs. Routledge at less than one-third the publishing price."

"Two thousand pounds were paid to the author alone, and not less than sixteen hundred guineas were expended on the exquisite illustrations."-Routledge's Advert., Lon. Athen., 1859, i. 569.

II. The Princess, illustrated by Mrs. S. C. Lees, 1850, India paper, with borders in gold and colours; the poem r. fol., £2 28., (Dickinson,) 10 outline engravings on printed in gold.

18.; mor., £1 118. 6d. ; mor. by Hayday, (Moxon :) red., III. The Princess, Nov. 1859, r. 8vo, 168.; cloth, £1 Nov. 1861, to 108. 6d., el., (Routledge.) With 26 illustrations on wood by Thomas Dalziel, Williams, and Green, from designs by D. Maclise, R.A., new ed., 1866, sm. 4to. See notices quoted in Lon. Athen., 1860, ii. 600. IV. The Lady of Shalott, Reprinted and Illustrated by a Lady, 1852, fol., 108., (Kent.)

V. Dora; a Poem, Illustrated by Mrs. Mildmay, 1856, fol., £1 58., (Vernon.)

VI. The Miller's Daughter, 1857, sm. 4to, 168.; mor., 248., (Kent.) Illustrated with 17 steel engravings, drawn by A. L. Bond and engraved by Mote; with a Portrait of the Author, 4to.

"This collection of illustrative etchings is the production of an accomplished lady."-Lon. Art Journal.

VII. The May Queen; Illustrated with 30 drawings by E. V. B., (Hon. Mrs. Boyle,) Nov. 1861, sq., 78. 6d. ; er. 8vo, 58., (Low.)

VIII. The May Queen; Illuminated by Mrs. W. H. Hartley, 1861, cr. 4to, £1 18., (Day & Son.)

IX. The Idylls of the King: Sixteen Illustrations, drawn and etched by Amy Butts, 1862, r. 4to, (Day & Son.)

Nor should we omit to include among the illustrations of Tennyson's poems the picture of The Sleeping Beauty, from The Day Dream, painted by Wight, of Boston, Dec. 1860, and the statuette of The Lotus Eater,

by Miss Emma Stebbins, modelled at Rome, and exhibited at Boston, March, 1861.

Woolmer's marble bust

of the poet (see Lon. Critic, 1857) was purchased by the Fellows of Trinity College, Cambridge, and stands in the vestibule of their library. A portrait of Tennyson, from life, was issued separately in Lon., Nov. 1861.

We had designed to close this article with an array of critical opinions on Tennyson's characteristics as a poet from eminent authorities on both sides of the water, but we have already occupied as much space as we can well afford. A few lines, however, must find a place.

corded their verdicts (the first in 1844, and the last Two prominent American critics, both of whom rebefore 1849) prior to the appearance of In Memoriam,

differed very greatly in their estimate of Tennyson's poetical genius:

"I am not sure that Tennyson is not the greatest of poets. The uncertainty attending the public conception of the term poet' alone prevents me from demonstrating that he is. Other bards produce effects which are, now and then, otherwise produced than by what we call poems; but Tennyson an effect EDGAR A. POE: Literati; Marginalia, cexiv. which only a poem does. His alone are idiosyncratic poems."

"The peculiarities of his style have attracted attention, and his writings have enough intrinsic merit, probably, to secure him a permanent place in the third or fourth rank of English contemporary poets."-DR. R. W. GRISWOLD: Poets and Poetry of England.

But Dr. Griswold lived long enough to write,

"Of the living poets of England, Tennyson at this time occupies the highest rank; and he is destined to a wide and high regard."

"He has opened a new vein in English poetry, and shown that real genius, even in the most advanced stages of society, can strike a fresh chord, and, departing from the hackneyed ways of imitation, charm the world by the conceptions of original thought. His imagination, wide and discursive as the dreams of fancy, wanders at will, not over the real so much as the ideal world. The grottoes of the sea, the caves of the mermaid, the realms of heaven, are alternately the scenes of his song. His versification, wild as the song of the elfin king, is broken and irregular, but often inexpressibly charming. Sometimes, however, this tendency leads him into conceit; in the endeavour originality, however, about his conceptions, which contrast to be original, he becomes fantastic. There is a freshness and strangely with the practical and interested views which influ

enced the age in which he lived, and contributed not a little to their deserved success. They were felt to be the more charming

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