Sword Fighting: A Manual for Actors and DirectorsRobert Hale, 2001 - 192 páginas Presents the art of creating realistic and exciting fight sequences for theatre, film and TV. This work contains advice on how to use character, costume, period and setting in the staging of a fight scene. It includes step-by-step instruction on how sword-fighting techniques from different periods can be safely adapted for stage and screen fights. |
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Página 148
... upwards to knuckles upwards , this gliding action would in reality not only displace the Scholar's. 148 Sword Fighting.
... upwards to knuckles upwards , this gliding action would in reality not only displace the Scholar's. 148 Sword Fighting.
Página 153
... upward diagonal slash across the Scholar's right neck , knuckles upwards . Theatrically , the cut should be aimed several inches away to the right of the Scholar's right cheek and past his head , so that he cannot be struck even if he ...
... upward diagonal slash across the Scholar's right neck , knuckles upwards . Theatrically , the cut should be aimed several inches away to the right of the Scholar's right cheek and past his head , so that he cannot be struck even if he ...
Página 165
... upwards , fingers up . Fig . 111 The Master extends and thrusts to the chest , fingers up , lunging with the right leg . The Scholar recovers from his lunge and parries to his left , blade upwards , fingers up . Fig . 112 The Scholar ...
... upwards , fingers up . Fig . 111 The Master extends and thrusts to the chest , fingers up , lunging with the right leg . The Scholar recovers from his lunge and parries to his left , blade upwards , fingers up . Fig . 112 The Scholar ...
Índice
Acknowledgements | 9 |
Reality First | 15 |
Weapon Design | 25 |
Página de créditos | |
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Términos y frases comunes
action actors anticlockwise armour attack and defence audience balance beat parry blade upwards block blow body mechanics body protection buckler century choreography clockwise defender defender's body disengages ensure extends and thrusts fencing terminology fight director fight scene fighters fighting styles film finger rings fingers fully committed glide GORT grip hand-and-a-half Hawk the Slayer hilt in-distance intent Jack Palance JOHN TERRY JOHN John Waller Keith Ducklin knuckles left foot left hand left leg lunge and parries Macbeth Macduff Master's left Master's right Master's stomach medieval Monty Python move oppo opponent opponent's parrying blade passing forward performers period pommel pulled rapier and dagger right foot right leg back right shoulder Royal Armouries Scholar's blade Scholar's left Scholar's right Scholar's stomach sequence Sir Ian McKellen smallsword stage combat steps back swashbuckling films swept-hilt sword-arm sword-hand takes a guard target techniques Terry Gilliam TERRY JOHN TERRY thrust is aimed two-handed