Sword Fighting: A Manual for Actors and DirectorsRobert Hale, 2001 - 192 páginas Presents the art of creating realistic and exciting fight sequences for theatre, film and TV. This work contains advice on how to use character, costume, period and setting in the staging of a fight scene. It includes step-by-step instruction on how sword-fighting techniques from different periods can be safely adapted for stage and screen fights. |
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Página 58
... right leg around his left . This cut is aimed off to the Master's left . The Master's balance should now be centred in such a way that with his right leg forward the most natural direction for an evasion is to his right and with the ...
... right leg around his left . This cut is aimed off to the Master's left . The Master's balance should now be centred in such a way that with his right leg forward the most natural direction for an evasion is to his right and with the ...
Página 146
... right foot . The sole of the left foot remains flat on the ground as the rest of the leg straightens , while the right leg lands with the knee directly over the ankle . The left foot should never roll forward so that the ankle rubs the ...
... right foot . The sole of the left foot remains flat on the ground as the rest of the leg straightens , while the right leg lands with the knee directly over the ankle . The left foot should never roll forward so that the ankle rubs the ...
Página 186
... left leg and blocks with one hand on grip , one on shaft , kicks No. 2 off with left foot Moves left Cuts down at Gort's head , misses ( behind back ) Spins to right on right leg , hits No. 3 in back with hammer with two - handed swing ...
... left leg and blocks with one hand on grip , one on shaft , kicks No. 2 off with left foot Moves left Cuts down at Gort's head , misses ( behind back ) Spins to right on right leg , hits No. 3 in back with hammer with two - handed swing ...
Índice
Acknowledgements | 9 |
Reality First | 15 |
Weapon Design | 25 |
Página de créditos | |
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Términos y frases comunes
action actors anticlockwise armour attack and defence audience balance beat parry blade upwards block blow body mechanics body protection buckler century choreography clockwise defender defender's body disengages ensure extends and thrusts fencing terminology fight director fight scene fighters fighting styles film finger rings fingers fully committed glide GORT grip hand-and-a-half Hawk the Slayer hilt in-distance intent Jack Palance JOHN TERRY JOHN John Waller Keith Ducklin knuckles left foot left hand left leg lunge and parries Macbeth Macduff Master's left Master's right Master's stomach medieval Monty Python move oppo opponent opponent's parrying blade passing forward performers period pommel pulled rapier and dagger right foot right leg back right shoulder Royal Armouries Scholar's blade Scholar's left Scholar's right Scholar's stomach sequence Sir Ian McKellen smallsword stage combat steps back swashbuckling films swept-hilt sword-arm sword-hand takes a guard target techniques Terry Gilliam TERRY JOHN TERRY thrust is aimed two-handed