Sword Fighting: A Manual for Actors and DirectorsRobert Hale, 2001 - 192 páginas Presents the art of creating realistic and exciting fight sequences for theatre, film and TV. This work contains advice on how to use character, costume, period and setting in the staging of a fight scene. It includes step-by-step instruction on how sword-fighting techniques from different periods can be safely adapted for stage and screen fights. |
Dentro del libro
Resultados 1-3 de 23
Página 70
... Fig . 17 The hand - and - a - half was short enough to be carried slung from the waist over the hip . A dagger was usually carried as a secondary weapon . Grip A. DES FORGES 2000 @ A.DES FORGES 2000 Fig 70 Sword Fighting.
... Fig . 17 The hand - and - a - half was short enough to be carried slung from the waist over the hip . A dagger was usually carried as a secondary weapon . Grip A. DES FORGES 2000 @ A.DES FORGES 2000 Fig 70 Sword Fighting.
Página 71
... FORGES 2000 @ A.DES FORGES 2000 Fig . 18a & b The hand - and - a - half was held in a similar fashion to the two - hander but , as described in Part One : Weapons Design , the shorter grip meant that if both hands rested on the grip ...
... FORGES 2000 @ A.DES FORGES 2000 Fig . 18a & b The hand - and - a - half was held in a similar fashion to the two - hander but , as described in Part One : Weapons Design , the shorter grip meant that if both hands rested on the grip ...
Página 87
... was the origin of the expression swashbuckler , which - despite its heroic connotations today - originally signified a rowdy indi- vidual or potential troublemaker . ་ ་་་ A. DES FORGES 2000 Fig . 34a & Sequence Three 87.
... was the origin of the expression swashbuckler , which - despite its heroic connotations today - originally signified a rowdy indi- vidual or potential troublemaker . ་ ་་་ A. DES FORGES 2000 Fig . 34a & Sequence Three 87.
Índice
Acknowledgements | 9 |
Reality First | 15 |
Weapon Design | 25 |
Página de créditos | |
Otras 9 secciones no se muestran.
Otras ediciones - Ver todo
Términos y frases comunes
action actors anticlockwise armour attack and defence audience balance beat parry blade upwards block blow body mechanics body protection buckler century choreography clockwise defender defender's body disengages ensure extends and thrusts fencing terminology fight director fight scene fighters fighting styles film finger rings fingers fully committed glide GORT grip hand-and-a-half Hawk the Slayer hilt in-distance intent Jack Palance JOHN TERRY JOHN John Waller Keith Ducklin knuckles left foot left hand left leg lunge and parries Macbeth Macduff Master's left Master's right Master's stomach medieval Monty Python move oppo opponent opponent's parrying blade passing forward performers period pommel pulled rapier and dagger right foot right leg back right shoulder Royal Armouries Scholar's blade Scholar's left Scholar's right Scholar's stomach sequence Sir Ian McKellen smallsword stage combat steps back swashbuckling films swept-hilt sword-arm sword-hand takes a guard target techniques Terry Gilliam TERRY JOHN TERRY thrust is aimed two-handed