If aught his lips essay'd to groan, XXVI. Morn slowly rolls the clouds away Few trophies of the fight are there: That strand of strife may bear, "Tis rent in twain-one dark red stain His head heaves with the heaving billow; What recks it, though that corse shall lie The bird that tears that prostrate form Hath only robb'd the meaner worm! The only heart, the only eye Had bled or wept to see him die, Had seen those scatter'd limbs composed, And mourn'd above his turban-stone,† That heart hath burst-that eye was closed- XXVII. By Helle's stream there is a voice of wail! And woman's eye is wet-man's cheek is pale; Thy destined lord is come too late: Can he not hear The loud Wul-wulleh warn his distant ear? Galt mentions, "While the Salsette lay off the Dardanelles, Lord Byron saw the body of a man who had been executed by being cast into the sea, floating on the stream to and fro with the trembling of the water, which gave to its arma the effect of scaring away several sea-fowl that were hovering to devour." A turban is carved in stone above the graves of men only.-E. The death-song of the Turkish women. The silent slaves" are the men whose notions of decorum forbid complaint in public.-B. Thy handmaids weeping at the gate, Thou didst not view thy Selim fall! That fearful moment when he left the cave He was thy hope-thy joy-thy love-thine all— Burst forth in one wild cry-and all was still. That grief-though deep-though fatal-was thy first. Vainly thou heap'st the dust upon thy head, Thy daughter's dead! Hope of thine age, thy twilight's lonely beam, "Where is my child?" -an Echo answers--" Where?"* XXVIII. Within the place of thousand tombs That shine beneath, while dark above The sad but living cypress glooms, And withers not, though branch and leaf Are stampt with an eternal grief, One spot exists, which ever blooms, A single rose is shedding there Its lonely lustre, meek and pale: It looks as planted by Despair So white so faint-the slightest gale "I came to the place of my birth, and cried, 'The friends of my youth, where are they? and an Echo answered, Where are they?"-From an Arabic MS. The above quotation (from which the idea in the text is taken) must be already familiar to every reader; it is given in the first annotation, p. 67, of The Pleasures of Memory;" a poem so well known as to render a reference almost superfluous; but to whose pages all will be delighted to recur.-B. And yet, though storms and blight assail, For well may maids of Helle deem A bird unseen-but not remote: But soft as harp that Houri strings, It were the Bulbul; but his throat, Though mournful, pours not such a strain For they who listen cannot leave The spot, but linger there and grieve, As if they loved in vain! And yet so sweet the tears they shed, 'Tis sorrow so unmix'd with dread, They scarce can bear the morn to break And longer yet would weep and wake, But when the day-blush bursts from high And some have been who could believe, 'Tis from her cypress summit heard, That white rose takes its tender birth. And airy tongues that syllable men's names."-MILTON.-B. For a belief that the souls of the dead inhabit the form of birds, we need not travel to the East. Lord Lyttleton's ghost story, the belief of the Duchess of Ken. dal, that George I. flew into her window in the shape of a raven (see Orford's Reminicences), and many other instances, bring this superstition nearer home. The most singular was the whim of a Worcester lady, who, believing her daughter to exist in the shape of a singing bird, literally furnished her pew in the cathedral with cages full of the kind; and as she was rich, and a benefactress in beautifying the church, no objection was made to her harmless folly, For this anecdote, so Orford's Letters.-B. And there by night, reclined, 'tis said. Is seen a ghastly turban'd head: And hence extended by the billow "Tis named the "Pirate-phantom's pillow!" Where first it lay that mourning flower Hath flourished; flourisheth this hour, Alone and dewy, coldly pure and pale; As weeping Beauty's cheek at Sorrow's tale 朗 THE CORSAIR A TALE. I suoi pensleri in lui dormir non ponno." to TO THOMAS MOORE, ESQ MY DEAR MOORE I DEDICATE to you the last production with which I shall trespass on public patience, and your indulgence, for some years; and I owr that I feel anxious to avail myself of this latest and only oppor tunity of adorning my pages with a name, consecrated by unshaken public principle, and the most undoubted and various talents. While Ireland ranks you among the firmest of her patriots; while you stand alone the first of her bards in her estimation, and Britain repeats and ratifies the decree, permit one, whose only regret, sinca our first acquaintance, has been the years he had lost before it had commenced, to add the humble but sincere suffrage of friendship to the voice of more than one nation. It will at least prove you, that I have neither forgotten the gratification derived from your society, nor abandoned the prospect of its renewal, whenever your leisure or inclination allows you to atone to your friends for too long an absence. It is said among those friends, I trust truly, that you are engaged in the composition of a poem whose scene will be laid in the East; none can do those scenes so much justice. The wrongs of your own country, the magnificent and fiery spirit of her sons, the beauty and feeling of her daughters, may there be found; and Collins, when he denominated his Oriental his Irish Eclogues, was not aware how true, at least, was a part of his parallel. Your imagination will create a warmer sun, and less clouded sky; but wildness, tenderness, and originality, are part of your national claim of oriental descent, to which you have already thus far proved your title more clearly than the most zealous of your country's antiquarians. May I add a few words on a subject on which all men are sup posed to be fluent, and none agreeable?-Self. I have written much, and published more than enough to demand a longer silence than I now meditate; but, for some years to come, it is my inten |