M

HAROLD FREDERIC

(1856-)

R. FREDERIC was born in Utica, New York, August 19th, 1856. He spent his boyhood in that neighborhood, and was educated in its schools. The rural Central New York of a halfcentury ago was a region of rich farms, of conservative ideas, and of strong indigenous types of character. These undoubtedly offered unconscious studies to the future novelist.

Like many of his guild he began writing on a newspaper, rising by degrees from the position of reporter to that of editor. The drill and discipline taught him to make the most

of time and opportunity, and he contrived leisure enough to write two or three long stories. Working at journalism in Utica, Albany, and New York, in 1884 he became chief foreign correspondent of the New York Times, making his headquarters in London, where he has since lived.

Mr. Frederic's reputation rests on journalistic correspondence of the higher class, and on his novels, of which he has published six. His stories are distinctively American. He has caught up contrasting elements of local life in the eastern part of the United States, and grouped them with ingenuity and power.

HAROLD FREDERIC

His first important story was 'Seth's Brother's Wife,' originally appearing as a serial in Scribner's Magazine. Following this came 'The Lawton Girl,' a study of rustic life; 'In the Valley,' a semi-historical novel, turning on aspects of colonial times along the Mohawk River; 'The Copperhead,' a tale of the Civil War; 'Mukena and Other Stories,' graphic character sketches, displaying humor and insight; The Damnation of Theron Ware,' the most serious and carefully studied of his books; and 'March Hares,' a sketch of contemporary society.

A student of the life about him, possessing a dramatic sense and a saving grace of humor, Mr. Frederic in his fiction is often photographic and minute in detail, while he does not forget the importance of the mass which the detail is to explain or embellish. He likes to deal with types of that mixed population peculiar to the

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farming valleys of Central New York,- German, Irish, and American, - bringing out by contrast their marked social and individual traits. Not a disciple of realism, his books are emphatically "human documents.»

There is always moreover a definite plot, often a dramatic development. But it is the attrition of character against character that really interests him. 'Seth's Brother's Wife' and 'The Lawton Girl' leave a definite ethical intention. In the 'Damnation of Theron Ware' is depicted the tragedy of a weak and crude character suddenly put in touch with a higher intellectual and emotional life, which it is too meagre and too untrained to adopt, and through which it suffers shipwreck. In 'In the Valley' the gayety and seriousness of homely life stand out against a savage and martial background.

Mr. Frederic profoundly respects his art, is never careless, and never unconscientious. Of his constructive instinct a distinguished English critic has said that it "ignores nothing that is significant; makes use of nothing that is not significant; and binds every element of character and every incident together in a consistent, coherent, dramatic whole.»

THE LAST RITE

From The Damnation of Theron Ware. Copyright 1896, by Stone & Kimball

ALKING homeward briskly now, with his eyes on the side

W walk, and his mind all aglow with crowding suggestions

for the new work and impatience to be at it, Theron Ware came abruptly upon a group of men and boys who occupied the whole path, and were moving forward so noiselessly that he had not heard them coming. He almost ran into the leader of this little procession, and began a stammering apology, the final words of which were left unspoken, so solemnly heedless of him and his talk were all the faces he saw.

In the centre of the group were four workingmen, bearing between them an extemporized litter of two poles and a blanket hastily secured across them with spikes. Most of what this litter held was covered by another blanket, rounded in coarse folds over a shapeless bulk. From beneath its farther end protruded a big broom-like black beard, thrown upward at such an angle as to hide everything beyond those in front. The tall young minister, stepping aside and standing tiptoe, could see sloping

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downward, behind this hedge of beard, a pinched and chalk-like face, with wide-open, staring eyes. Its lips, of a dull lilac hue, were moving ceaselessly, and made a dry, clicking sound.

Theron instinctively joined himself to those who followed the litter, a motley dozen of street idlers, chiefly boys. One of these in whispers explained to him that the man was one of Jerry Madden's workmen in the wagon-shops, who had been deployed. to trim an elm-tree in front of his employer's house, and being unused to such work, had fallen from the top and broken all his bones. They would have cared for him at Madden's house, but he insisted upon being taken home. His name was MacEvoy, and he was Joey MacEvoy's father, and likewise Jim's and Hughey's and Martin's. After a pause, the lad, a brighteyed, freckled, barefooted wee Irishman, volunteered the further information that his big brother had run to bring Father Forbess," on the chance that he might be in time to administer 'extry munction.»

The way of the silent little procession led through back streets, where women hanging up clothes in the yards hurried to the gates, their aprons full of clothes-pins, to stare open-mouthed at the passers-by,- and came to a halt at last in an irregular and muddy lane, before one of a half-dozen shanties reared among the ash-heaps and débris of the town's most bedraggled outskirts.

A stout, middle-aged, red-armed woman, already warned by some messenger of calamity, stood waiting on the roadside bank. There were whimpering children clinging to her skirts, and a surrounding cluster of women of the neighborhood; some of the more elderly of whom, shriveled little crones in tidy caps, and with their aprons to their eyes, were beginning in a lowmurmured minor the wail which presently should rise into the keen of death. Mrs. MacEvoy herself made no moan, and her broad ruddy face was stern in expression rather than sorrowful. When the litter stopped beside her, she laid a hand for an instant on her husband's wet brow, and looked one could have sworn impassively into his staring eyes. Then, still without a word, she waved the bearers toward the door, and led the way herself.

Theron, somewhat wonderingly, found himself a minute later inside a dark and ill-smelling room, the air of which was humid with the steam from a boiler of clothes on the stove, and not in other ways improved by the presence of a jostling score of women, all straining their gaze upon the open door of the only

other apartment, the bedchamber. Through this they could see the workmen laying MacEvoy on the bed, and standing awkwardly about thereafter, getting in the way of the wife and old Maggie Quirk as they strove to remove the garments from his crushed limbs. As the neighbors watched what could be seen of these proceedings, they whispered among themselves eulogies of the injured man's industry and good temper, his habit of bringing his money home to his wife, and the way he kept his Father Mathew pledge and attended to his religious duties. They admitted freely that by the light of his example, their own husbands and sons left much to be desired; and from this wandered easily off into domestic digressions of their own. But all the while their eyes were bent upon the bedroom door; and Theron made out, after he had grown accustomed to the gloom and the smell, that many of them were telling their beads even while they kept the muttered conversation alive. None of them paid any attention to him, or seemed to regard his presence there as unusual.

Presently he saw enter through the sunlit street doorway a person of a different class. The bright light shone for a passing instant upon a fashionable, flowered hat, and upon some remarkably brilliant shade of red hair beneath it. In another moment there had edged along through the throng, to almost within touch of him, a tall young woman, the owner of this hat and wonderful hair. She was clad in light and pleasing spring attire, and carried a parasol with a long oxidized silver handle of a quaint pattern. She looked at him, and he saw that her face was of a lengthened oval, with a luminous rose-tinted skin, full red lips, and big brown, frank eyes with heavy auburn lashes. She made a grave little inclination of her head toward him, and he bowed in response. Since her arrival, he noted, the chattering of the others had entirely ceased.

"I followed the others in, in the hope that I might be of some assistance," he ventured to explain to her in a low murmur, feeling that at last here was some one to whom an explanation of his presence in this Romish house was due. "I hope they won't feel that I have intruded."

She nodded her head as if she quite understood.

"They'll take the will for the deed," she whispered back. "Father Forbes will be here in a minute. Do you know, is it too late?"

Even as she spoke, the outer doorway was darkened by the commanding bulk of a new-comer's figure. The flash of a silk hat, and the deferential way in which the assembled neighbors fell back to clear a passage, made his identity clear. Theron felt his blood tingle in an unaccustomed way as this priest of a strange Church advanced across the room,—a broad-shouldered, portly man of more than middle height, with a shapely, stronglined face of almost waxen pallor, and a firm, commanding tread. He carried in his hands, besides his hat, a small leather-bound case. To this and to him the women curtsied and bowed their heads as he passed.

"Come with me," whispered the tall girl with the parasol, to Theron; and he found himself pushing along in her wake until they intercepted the priest just outside the bedroom door. She touched Father Forbes on the arm.

"Just to tell you that I am here," she said. The priest nodded with a grave face, and passed into the other room. In a minute or two the workmen, Mrs. MacEvoy, and her helper came out, and the door was shut behind them.

"He is making his confession," explained the young lady. "Stay here for a minute."

A

She moved over to where the woman of the house stood, glum-faced and tearless, and whispered something to her. confused movement among the crowd followed, and out of it presently resulted a small table, covered with a white cloth, and bearing on it two unlighted candles, a basin of water, and a spoon, which was brought forward and placed in readiness before the closed door. Some of those nearest this cleared space were kneeling now, and murmuring a low buzz of prayer to the click of beads on their rosaries.

The door opened, and Theron saw the priest standing in the doorway with an uplifted hand. He wore now a surplice, with a purple band over his shoulders, and on his pale face there shone a tranquil and tender light.

One of the workmen fetched from the stove a brand, lighted the two candles, and bore the table with its contents into the bedroom. The young woman plucked Theron's sleeve, and he dumbly followed her into the chamber of death, making one of the group of a dozen, headed by Mrs. MacEvoy and her children, which filled the little room, and overflowed now outward to the street door. He found himself bowing with the others to receive