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bride for his master," and according to the custom of the time, he first expounded the incident, and then proceeded to "spiritualize" it, by applying it to the soul's marriage to Christ. Notwithstanding the ungainliness of his frame, and the awkwardness of his postures, there was a gentlemanliness about his address that indicated a man not unaccustomed to good society. His words were well chosen; his pronunciation always correct; his speech grammatical. In all of these regards Patty was disappointed.
But the sermon. Who shall describe "the indescribable!" As a servant he proceeded to set forth the character of the Master. What struck Patty was not the nobleness of his speech, nor the force of his argument; she seemed to see in the countenance that every divine trait which he described had reflected itself in the life of the preacher himself. For none but the manliest of men can ever speak worthily of Jesus Christ. As Bigelow proceeded, he won her famished heart to Christ. For such a Master she could live or die; in such a life there was what Patty needed most-a purpose; in such a life there was a friend; in such a life she would escape that sense of the ignobleness of her own pursuits, and the unworthiness of her own pride. All that he said of Christ's love and condescension filled her with a sense of sinfulness and meanness, and she wept bitterly. There were a hundred others as much affected, but the eyes of all her neighbors were upon her. If Patty should be converted, what a victory! And as the preacher proceeded to describe the joy of a soul wedded forever to Christ-living nobly after the pattern of His life-Patty resolved that she would devote herself to this life and this Saviour, and rejoiced in sympathy with the rising note of triumph in the sermon. Then Bigelow, last of all, appealed to courage and to pride-to pride in its best sense. Who would be ashamed of such a Bridegroom? And as he depicted the trials that some must pass through in accepting Him, Patty saw her own situation, and mentally made the sacrifice. As he described the glory of renouncing the world, she thought of her jewelry and the spirit of defiance in which she had put it on. There, in the midst
of that congregation, she took out her ear-rings, and stripped the flowers from the bonnet. We may smile at the unnecessary sacrifice to an overstrained literalism, but to Patty it was the solemn renunciation of the world-the whole-hearted espousal of herself, for all eternity, to Him who stands for all that is noblest in life. Of course this action was visible to most of the congregation-most of all to the preacher himself. To the Methodists it was the greatest of triumphs, this public conversion of Captain Lumsden's daughter, and they showed their joy in many pious ejaculations. Patty did not seek concealment. She scorned to creep
into the kingdom of heaven. It seemed to her that she owed this publicity. For a moment all eyes were turned away from the orator. He paused in his discourse until Patty had removed the emblems of her pride and antagonism. Then, turning with tearful eyes to the audience, the preacher, with simple-hearted sincerity and inconceivable effect, burst out with, "Hallelujah! I have found a bride for my Master!"-The Circuit Rider.
EGGLESTON, GEORGE CARY, an American journalist and novelist, brother of Edward Eggleston, born at Vevay, Ind., November 26, 1839. He was educated at the Indiana Asbury University, and at Richmond College, Va., studied law in Lexington, Va., and became a journalist in New York. He served through the Civil War in the Confederate army. He was literary editor of the New York Evening Post between 1875 and 1881, and in 1886 became editor-in-chief of the New York Commercial Advertiser. Among his publications are How to Educate Yourself (1872); A Rebel's Recollections (1874); How to Make a Liv
ing and The Big Brother (1875); Captain Sam, or the Boy Scout (1876); The Signal Boys (1877); Red Eagle (1879); A Man of Honor (1880); The Wreck of the Red Bird (1882); Strange Stories from History (1886); American War Ballads and Lyrics (1889); Juggernaut (1891).
A DEED OF DARING.
When the news of the massacre at Kimball's reached Fort Glass a detachment of ten men was sent out to recover the bodies, which they brought to Fort Sinquefield for burial. The graves were dug in a little valley three or four hundred yards from the fort, and all the people went out to attend the funeral. The services had just come to an end when the cry of "Indians! Indians!" was raised, and a body of warriors under the prophet Francis dashed down from behind a hill upon the defenceless people, whose guns were inside the fort. The first impulse of every one was to catch up the little children and hasten inside the gates, but it was manifestly too late. The Indians were already nearer the fort than they, and were running with all their might, brandishing their knives and tomahawks, and yelling like demons. There seemed no way of escape. Sam Hardwicke took little Judie up in his arms, and quick as thought calculated the chances of reaching the fort. Clearly the only way in which he could get there was by leaving his little sister to her fate and running for his life. But Sam Hardwicke was not the sort of boy to do anything so cowardly as that. Abandoning the thought of getting to the fort, he called to Tom to follow him, and with Judie in his arms he ran into a neighboring thicket, where the three, with Joe, a black boy of twelve or thirteen years who had followed them, concealed themselves in the bushes. Whether they had been seen by the Indians or not, they had no way of knowing, but their only hope of safety now lay in absolute stillness. They crouched down together and kept silence. Meantime the situation of the fort people was terrible. Cut off from the gates and
unarmed, there seemed to be nothing for them to do except to meet death as bravely and calmly as they could. A young man named Isaac Harden happened to be near the gates, however, on horseback, and accompanied by a pack of about sixty hounds. And this young man, whose name has barely crept into a corner of history, was both a hero and a military genius, and he did, right then and there, a deed as brilliant and as heroic as any other in history. Seeing the perilous position of the fort people, he raised himself in his stirrups and waving his hat, charged the savages with his pack of dogs, whooping and yelling after the manner of a huntsman, and leading the fierce bloodhounds right into the ranks of the infuriated Indians. The dogs being trained to chase and seize any living thing upon which their master might set them, attacked the Indians furiously, Harden encouraging them and riding down group after group of the bewildered savages. Charging right and left with his dogs, he succeeded in putting When the Indians for a time upon the defensive, thus giving the white people time to escape into the fort. all were in except Sam's party and a Mrs. Phillips who was killed, Harden began looking about him for a His impetuosity had chance to secure his own safety. carried him clear through the Indian ranks, and the savages, having beaten the dogs off, turned their attention to the young cavalier who had balked them in the very moment of their victory. They were between him His dogs were and the gates, hundreds against one. killed or scattered, and he saw at a glance that there was little hope for him. The woods behind him were full of Indians, and so retreat was impossible. Turning his horse's head toward the gates, he plunged spurs into his side, and with a pistol in each hand, dashed through the savage ranks, firing as he went. Blowing a blast upon his horn to recall those of his dogs which were still alive, he escaped on foot into the fort, just in time to let the gate shut in the face of the foremost Indian. His horse, history tells us, was killed under him, -and he had five bullet holes through his clothes, but his skin was unbroken.-The Big Brother.
EGINHARD, or EINHARD, a Frankish chronicler, born at Maingau, on the river Main, in 770; died at Mühlheim, March 14, 844. Though much has been published, little is accurately known concerning his early life on account of the unreliable character of the history of his time. He was educated at the monastery of Fulda, and was a pupil of Alcuin, who introduced him at the Court of Charlemagne, by whom he was placed in charge of the public buildings. He is supposed to have constructed the basilica and other public buildings at Aix-la-Chapelle. He married Imma, a noble lady, who afterward figured in legend as Charlemagne's daughter. In 815 Louis, the successor of Charlemagne, bestowed upon Eginhard and his wife the estates of Michelstadt and Mühlheim. He was afterward abbot of several monasteries. In becoming abbot he did not leave his wife, and she proved a valuable helpmeet to him in all his undertakings. In 830 he withdrew to Mühlheim, which he named Seligenstadt (“the city of the Saints"), and erected a church to which he conveyed the relics of St. Marcellinus and St. Peter. His most famous work is the Life of Charlemagne, written after the emperor's death. He also wrote the Annals of the Franks from 741 to 829, Epistolæ, and an Account of the Transfer of the Relics of St. Marcellinus and St. Peter.