A Heart at Fire's Center: The Life and Music of Bernard Herrmann

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University of California Press, 31 may 2002 - 429 páginas
No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact.

From his first film (Citizen Kane) to his last (Taxi Driver), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic (Fahrenheit 451, The Day the Earth Stood Still) to the romantic (Obsession, The Ghost and Mrs. Muir) to the terrifying (Psycho).

Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre on the Air and The War of the Worlds. His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony.

Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored—a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love.

Films scored by Bernard Herrmann: Citizen Kane, The Ghost and Mrs. Muir, Vertigo, Psycho, Fahrenheit 451, Taxi Driver, The Magnificent Ambersons, The Man Who Knew Too Much, North By Northwest, The Birds, The Snows of Kilimanjaro, Cape Fear, Marnie, Torn Curtain, among others
 

Índice

Prelude
1
New York 19111951
5
ONE
7
TWO
21
THREE
42
FOUR
59
FIVE
71
SIX
85
TWELVE
236
THIRTEEN
267
FOURTEEN
292
London 19711975
309
FIFTEEN
311
SIXTEEN
319
SEVENTEEN
336
Postlude
357

SEVEN
110
EIGHT
131
Hollywood 19511971
161
NINE
163
TEN
191
ELEVEN
219
The Music of Bernard Herrmann
365
Notes
377
Selected Bibliography
401
Index
405
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Página v - Near the snow, near the sun, in the highest fields See how these names are feted by the waving grass And by the streamers of white cloud And whispers of wind in the listening sky. The names of those who in their lives fought for life, Who wore at their hearts the fire's centre. Born of the sun they travelled a short while towards the sun, And left the vivid air signed with their honour.

Sobre el autor (2002)

Steven C. Smith is an award-winning author, journalist, and television producer who has written extensively about film, music, and television. He has worked as a producer for HBO Entertainment News and NBC's Weekend Today; has been a writer/producer on the A&E series Biography; and is supervising producer of the AMC series Backstory. He is also the author of Film Composers (1991).

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