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An O DE in Imitation of ALCEUS.

Οὐ λίθοι, ἐδὲ ξύλα, δὲ
Τέχνη τεκτόνων αἱ πόλεις εἰτὶν,
Ἀλλ ̓ ὅπό ποτ ̓ ἂν ὦσιν ΑΝΔΡΕΣ
Αὐτὸς σώζειν εἰδότες,

Ἐνταῦθα τείχη και πόλεις.

ALC. quoted by ARISTIDES.

HAT conftitutes a ftate?

WH

Not high-rais'd battlement or labour'd mound,
Thick wall or moated gate;

Not cities proud with fpires and turrets crown'd;
Not bays and broad-arm'd ports,

Where, laughing at the ftorm, rich navies ride;
Not ftarr'd and fpangled courts,

Where low-brow'd bafenefs wafts perfume to pride.
No:-MEN, high-minded MEN,

With pow'rs as far above dull brutes endued
In foreft, brake, or den,

As beafts excel cold rocks and brambles rude;
Men, who their duties know,

But know their rights, and, knowing, dare maintain,
Prevent the long-aim'd blow,

And crush the tyrant while they rend the chain :
Thefe conftitute a state,

And fov'reign LAW, that ftate's collected will,
O'er thrones and globes elate

Sits Emprefs, crowning good, repreffing ill;
Smit by her facred frown

The fiend Difcretion like a vapour finks,

And e'en th' all-dazzling Crown

Hides his faint rays, and at her bidding fhrinks.
Such was this heav'n-lov'd isle,

Than Lefbos fairer and the Cretan fhore !
No more fhall Freedom fmile?

Shall Britons languifh, and be MEN no more?
Since all muft life refign,

Those sweet rewards, which decorate the brave,
"Tis folly to decline,

And fteal inglorious to the filent grave.

ABERGAVENNY,

March 31, 1781.

N 4

HONORIA,

HONORIA, ΟΥ the Day of ALL SOULS, а Рост. By Mr. JERNINGHAM.

The Scene of the following little Poem is fuppofed to be in the great Church of St. Ambrofe at Milan the fecond of November, on which Day the moft folemn Office is performed for the Repofe of the Dead.

YE

E hallow'd bells, whofe voices thro' the air

The awful fummons of affliction bear:
Ye flowly-waving banners of the dead,
That o'er yon altar your dark horrors fpread:
Ye curtain'd lamps, whofe mitigated ray
Cafts round the fane, a pale, reluctant day:
Ye walls, ye fhrines, by melancholy drest,
Well do ye fuit the fashion of my breast!
Have I not loft what language can't unfold,
The form of valour caft in Beauty's mould!
Th' intrepid youth the path of battle tried,
And foremost in the hour of peril died.
Nor was I prefent to bewail his fate,
With pity's lenient voice to foothe his ftate,
To watch his looks, to read while death stood by,
The laft expreflion of his parting eye.

But other duties, other cares impend,

Cares that beyond the mournful grave extend;
Now, now I view conven'd the pious train,
Whofe bofom forrows at another's pain,
While recollection pleasingly fevere
Wakes for the awful dead the filent tear,
And pictures (as to each her fway extends)
The facred forms of lovers, parents, friends.
Now Charity a fiery feraph ftands
Befide yon altar with uplifted hands.

Yet, can this high folemnity of grief
Yield to the youth I love the wifh'd relief?
Thefe rites of death-Ah! what can they avail?
Honorius died beyond the hallow'd pale.
Plung'd in the gulph of fear-distressful state!
My anxious mind dares not enquire his fate:
Yet why defpond? cou'd one flight error roll
A flood of poifon o'er the healthful foul?
Had not thy virtues full fufficing pow'r
To clear thee in the dread recording hour?
Did they before the judge abash'd remain ?
Did they, weak advocates, all plead in vain?

By

By love, by piety, by reafon taught,
My foul revolts at the blafpheming thought:
Sure in the breaft to pure religion, true,
Where Virtue's templed, God is templed toc.
Then while th' auguft proceffion moves along,
"Midit fwelling organs, and the pomp of fong;
While the dread chaunt, ftill true to Nature's laws,
Is deepen'd by the terror-breathing paufe;
While 'midft encircling clouds of incenfe loft
The trembling prieft upholds the facred hoft;
Amid thefe fcenes fhall I forget my fuit?
Amid thefe fcenes fhall I alone be mute?
Nor to the footsteps of the throne above,
Breathe the warm requiem to the youth I love?
Now filence reigns along the gloomy fane,
And wraps in dread repofe the paufing ftrain:
When next it burts my humble voice I'll join,
Difclose my trembling with at Mercy's fhrine,
Unveil my anguifh to the throne above,
And figh the requiem to the youth I love.

-Does fancy mock me with a falfe delight,
Or does fome hallow'd vifion cheer my fight?
Methinks, emerging from the gloom below,
Th' immortal fpirits leave the houfe of woe!
Infhrin'd in Glory's beams they reach the sky,
While choral fongs of triumph burit from high!
See, at the voice of my accorded pray'r,
The radiant youth afcend the fields of air!
Behold! He mounts unutterably bright,
Cloath'd in the fun-robe of unfading light!
Applauding feraphs hail him on his way,
And lead him to the gates of everlasting day.

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Account

Account of Books for 1781.

Philological Inquiries; by James Harris, Efq; 2 vols. 8vo.

IN

N an eminent rank amongst the productions of this year is a treatise, entitled, Philological Inquiries, by the celebrated author of Hermes. A performance of this kind appears to be moft fuitable to, and what might naturally have been expected from the close of a life, spent in the purfuit of knowledge, and in habits of deep and fpeculative difquifitions. It It is principally converfant with critical and hiftorical reflections, and implies rather a judicial review of acquirements already made, than a laborious investigation of new fubjects: it embraces a wide compafs of learning, and abounds in a variety of fuch deep and philofophical remarks, as difplay the folidity and penetration of a judgment, evidently formed in the fchool of Ariftotle.

It has been frequently and juftly regretted, that a depth of erudition is by no means the greatest praife of modern writings; and that it is more the fashion, perhaps from a vain affectation of originality, to admire the illegitimate productions of fancy, than to recur for just principles to the pure models of antiquity. This gene

eral failure, and contempt for antient literature, Mr. Harris wished earnestly to remove, and it is to be hoped he has laboured with fome degree of fuccefs, especially when we confider the great popularity of his writings, although profeffedly founded upon the Greek philofophy, and imitative in a close degree of the manner of Ariftotle: indeed it is the opinion of fome, that in this laft inftance he has gone further than the genius of the English language feems to admit. However, any peculiarity of this fort is abundantly compenfated by an accuracy and precifion peculiar to himself; and if our ingenious author hath not, upon this occafion, entered fo deeply into logic and metaphyfics, as he has done in his former more elaborate productions, it is to be remembered that the nature of the prefent work did not demand it;

and it is a circumftance fo far in its favour, that it is thereby rendered of more general ufe, as it profeffes, to inftruct by example, and not by demonftration, and exhibits a series of conclufions, rather than the principles, upon which thofe conclufions are found

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of Mr. Harris, is perhaps no where more eminently discoverable than in this treatife: in it he has introduced a great variety of fubjects, and by an eafy mode of tranfition has reconciled and reduced to a fyftem and to an unity of defign matters, which, if confidered in a separate view, would appear of a nature perfectly extraneous. The author's own words will convey to the reader the most adequate idea of the plan of his work.

"The treatise, which follows, " is of the philological kind, and ** will confift of three parts, properly distinct from each other.

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thing connected with letters, "be it fpeculative, or histori"cal."

Agreeable to this introduction, he diftinguishes the general word criticifm, by three different fpecies;-the Philofophical, the Hiftorical, and the Corrective. By the Philofophical, he means " that original criticism, which is a deep and philofophical fearch into the primary laws and elements of good writing, as far as they could be collected from the most approved performances.'

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To prove that this fpecies of criticifm was fubfequent to, and not productive of the first good writing; that there must have been good authors who made the firft good critics, and not critics who made the first good authors, Mr. Harris argues thus. "Can << we doubt that men had mufic, "fuch indeed as it was, before "the principles of harmony were "eftablished into a science? that "difeafes were healed and build

ings erected before medicine,

and architecture were fyftema"tized into arts? that men rea“soned and harangued upon mat"ters of fpeculation and practice,

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long before there were profeft "teachers of logic or rhetoric ?"

He accounts for the origin of the fecond fpecies, or the hiftorical, in a manner the most fatisfactory.

"We know from experience, "that in progress of time, lan66 guages,

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