Narrative Subversion in Medieval Literature

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McFarland, Jul 15, 2016 - Literary Criticism - 192 pages

A story that follows a simple trajectory is seldom worth telling. But the unexpected overturning of narrative progress creates complexity and interest, directing the reader's attention to the most powerful elements of a story.

Exile, for example, upsets a protagonist's hopes for a happy earthly life, emphasizing spiritual perception instead. Waking life interrupts dreams, just as dreams may redirect how one lives.

Focusing on medieval literature, this study explores how narrative subversion works in such well known stories as Beowulf, Piers Plowman, Le Morte D'Arthur, The Canterbury Tales, Troylus and Criseyde, "Voluspa" and other Old Norse sagas, Grail quest romances, and many others.

 

Contents

A Step Toward a Simple Theory of Narrative
1
Subversive Threads in the Medieval Narrative Labyrinth
15
2Narrative Subversion and the Solutionless Problem
38
3An Aesthetics of Subversion in Beowulfian Narrative
49
Dryht Allegory and Old English Exile Poems
62
Death and the Deador Notin Völuspá and Some Sagas
76
Subverting a Happy Ending
88
Penance and Subverting Penance in Medieval Literature
103
Subverting the Worlds Greatest Knight
113
9Troilus and Cressida and Subverting Genre
124
Gavin Douglass Subversive Eneados
157
Chapter Notes
167
Bibliography
177
Index
183
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About the author (2016)

E.L. Risden, emeritus professor of English at St. Norbert College, lives in De Pere, Wisconsin, where he continues to write literary and movie scholarship, speculative fiction, and occasional poetry.

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