Gender, I-deology: Essays on Theory, Fiction and FilmChantal Cornut-Gentille D'Arcy, José Angel García Landa Rodopi, 1996 - 465 páginas ISBN 9051839588 (paperback) NLG 55.00 From the contents: The female body: a resonant voice in the multicultural scene (Angeles de la Concha).- Fear, desire, and masculinity (Joanne Neff van Aertselaer).- Feminist utopian visions in the early 20th century U.S. (Lois Rudnick).- Women and science fiction (Pamela Sargent).- Female spectatorship in The purple rose of Cairo (Barbara Arizti Martin). |
Índice
| 9 | |
ÁNGELES DE LA CONCHA | 57 |
JOANNE NEFF VAN AERTSELAER | 85 |
CARMEN OLIVARES RIVERA | 93 |
FRANCISCO COLLADO RODRÍGUEZ | 107 |
OLGA BARRIOS | 121 |
PILAR HIDALGO | 133 |
Otras ediciones - Ver todo
Gender, I-deology: Essays on Theory, Fiction and Film Chantal Cornut-Gentille D'Arcy,José Angel García Landa Vista previa restringida - 1996 |
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Addams addiction American androgyny attitude Atwood Bannion Beauvoir become behaviour Black Breakfast at Tiffany's castration Cinema Cixous Clarice concept construction contemporary cultural desire discourse Dog-Woman dominant dystopia Editions Rodopi B.V. essay fantasy father female body female characters feminine feminism feminist criticism Feminist Literary Criticism femme fatale film Freud gender Greenblatt Handmaid's Tale Harry and Sally's heroine heterosexual Historicism Historicist Hollywood ideal identity ideology Irigaray Jeanette Jeanette Winterson Jeffries's Jordan Kristeva language linguistic literary literature London male Margaret Margaret Atwood marriage masculine means misogyny mother myth narrative narrator novel object oppression patriarchal perspective play political position postmodern protagonist reader relations relationship representation represented role Routledge Sally science fiction semiotic Sexing the Cherry sexual difference Showalter social society spectator story structure subversive symbolic theory tion traditional Trefusis Uncle Philip University of Zaragoza Villanelle voice Winterson woman women writers York Zaragoza
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Página 30 - Wordsworth, on the other hand, was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...