The Nature of Narrative: Revised and Expanded
Research Professor of Modern Culture and Media Professor Emeritus of English Comparative Literature and Modern Culture and Media and Andrew W Mellon Professor of Humanities Emeritus Robert Scholes, Robert Scholes, Humanities Distinguished Professor of English James Phelan, James Phelan, Robert Kellogg, Robert Leland Kellogg
Oxford University Press, USA, 25 sep. 2006 - 388 páginas
For the past forty years The Nature of Narrative has been a seminal work for literary students, teachers, writers, and scholars. Countering the tendency to view the novel as the paradigm case of literary narrative, authors Robert Scholes and Robert Kellogg in the original edition offered a compelling history of the genre narrative from antiquity to the twentieth-century, even as they carried out their main task of describing and analyzing the nature of narrative's main elements: meaning, character, plot, and point of view. Their history emphasized the broad sweep of literary narrative from ancient times to the contemporary period, and it included a chapter on the oral heritage of written narrative and an appendix on the interior monologue in ancient texts. The fortieth anniversary edition of this groundbreaking work has been revised and expanded to include a new preface and a lengthy chapter on developments in narrative theory since 1966 by James Phelan. This chapter describes the principles and practices of structuralist, cognitive, feminist, and rhetorical approaches to narrative, paying special attention to their work on plot, character, and narrative discourse. A continued leader in the field of narrative studies, The Nature of Narrative offers unique and invaluable histories of both narrative and narrative theory.
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Achilles acterization action actual allegoresis allegory ancient Apuleius audience autobiographical Beowulf century character characterization Chaucer Christian classical concept consciousness criticism culture didactic dramatic elements esthetic ethical eye-witness Faerie Queene family sagas fiction first-person narrative folktale formula George Eliot Greek romance hero Herodotus heroic historian Homer Homeric epics human Icelandic ideal Iliad illustrative images individual interest interior monologue Joyce kind language literary meaning medieval mimesis mimetic modern mythic narrative art narrative artists narrative forms narrative literature narrative theory narratology narrator nature novel novelists omniscience oral composition oral narrative oral tradition Ovid Parzival pattern picaresque plot poem poet poetic poetry point of view present primitive problem prose Proust psyche psychological rative reader realistic representational rhetorical ritual Robbie sacred myth satire sense significant singer social story structuralist Sturlunga Saga symbols tale thought Thucydides tion tive Tom Jones topoi types Vergil writing
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