The Film Studio: Film Production in the Global Economy

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Rowman & Littlefield, 2005 - 231 páginas
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The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, alleging that global competition is best understood as an unequal and unstable partnership between the "design interest" of footloose producers and the "location interest" of local actors. Ben Goldsmith and Tom O'Regan identify various types of film studios and investigate the consequences for Hollywood, international film production, and the studio locations.

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Índice

International Production and Globalization
1
Types of Studio
23
Studios the Location Interest and Policy
41
Studios Stargates and Urban Reimagining
63
Extreme Dreams in Satellite Locations The Rise of the Greenfields Studio
76
From National to International Film Studios
109
Still Exceptional? Londons Film Studios
135
The Same but Different Canadian Studios and International Production
150
Still the Center Studios and the United States
177
Bibliography
205
Index
217
About the Authors
231
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Sobre el autor (2005)

Ben Goldsmith is a lecturer in the Centre for Screen Studies and Research at the Australian Film, Television, and Radio School in Sydney, Australia. Tom O'Regan is professor of media and cultural studies in the School of English, Media Studies, and Art History at the University of Queensland.

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