The Autonomous Image: Cinematic Narration and Humanism

abstraction accordingly action announces Antonioni Appian archaic narrative becomes begins black-and-white blonde camera Caterina Boratto cinematic narrative cinematic values cinematic world clown Colosseum commandant contrast courtroom sequence create creative eye dead Director's Notebook disappearance Don Raffaele enact episode esthetic aim ethical event expression fact Federico Fellini film Focus on Blow-Up Francesco function Genius Genius's girl girl's growth historical narration image of death imagination intellectual living looking Marina Mastorna Mastroianni Michelangelo Antonioni mode of narration moral motion moves movie movie camera mummers Naples narrative energies narrative methods narrative mode narrative passion narrative possibilities narrative powers narrative tension Nights of Cabiria nymphs park participant Pasqualino past perspective pher photog photogra photographer's photographic mode private world qualino rapher relation ring Roman says scene seen Seven Beauties shot slaughterhouse story subway tion tive Totonno transition verbal narration vision visual voice woman words world of color Zabriskie Point