Strangers on a Train
W. W. Norton & Company, 17 ago. 2001 - 281 páginas
"For eliciting the menace that lurks in familiar surroundings, there's no one like Patricia Highsmith." —Time
The world of Patricia Highsmith has always been filled with ordinary people, all of whom are capable of very ordinary crimes. This theme was present from the beginning, when her debut, Strangers on a Train, galvanized the reading public. Here we encounter Guy Haines and Charles Anthony Bruno, passengers on the same train. But while Guy is a successful architect in the midst of a divorce, Bruno turns out to be a sadistic psychopath who manipulates Guy into swapping murders with him. "Some people are better off dead," Bruno remarks, "like your wife and my father, for instance." As Bruno carries out his twisted plan, Guy is trapped in Highsmith's perilous world, where, under the right circumstances, anybody is capable of murder.
The inspiration for Alfred Hitchcock's classic 1951 film, Strangers on a Train launched Highsmith on a prolific career of noir fiction, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday contemporary life.
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Strangers on a trainReseña de usuario - Not Available - Book Verdict
From the I can't believe this is out of print department comes Highsmith's white-knuckler and the basis of the Hitchcock film of the same name. With this, her first novel, Highsmith set the pattern ... Leer reseña completa
Strangers on a TrainReseña de usuario - Not Available - Book Verdict
Two strangers strike up a conversation on a long train ride. One is a successful and talented architect; the other is a harmless-looking psychopath. The result is Highsmith's (The Talented Mr. Ripley ... Leer reseña completa
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