Painting in Florence and Siena After the Black Death: The Arts, Religion, and Society in the Mid-fourteenth CenturyThe first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events. |
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Índice
V | 9 |
VI | 14 |
VII | 16 |
VIII | 27 |
X | 38 |
XI | 44 |
XII | 55 |
XIII | 59 |
XX | 74 |
XXI | 94 |
XXII | 105 |
XXIII | 132 |
XXIV | 145 |
XXV | 157 |
XXVI | 166 |
XXVII | 168 |
Otras ediciones - Ver todo
Painting in Florence and Siena After the Black Death: The Arts, Religion ... Millard Meiss Vista previa restringida - 1978 |
Términos y frases comunes
Academy altarpiece Ambrogio Andrea da Firenze angels appears arms attributed Bartolo become Berlin Biondo Boccaccio body Catherine chap Chapel character Child Christ Church Cione close collection composition Croce dated Death developed Dominican earlier early event examples expressed fact figures Florence Florentine follower fourteenth century Francis fresco frontal Gallery Giotto Giovanni ground guild half hand head human influence instance Italian Italy Jacopo Last late later less London lower Madonna of Humility Marle marriage Master middle Museum Nardo Offner op.cit Orcagna original painters painting panel Paris period Pisa plague Presentation priest probably qualities religious representations represented S. M. Novella saints says scene seated seems shows Siena Sienese similar Simone space Spanish Chapel standing style Taddeo third quarter thirteenth century tion Trecento turned usually Virgin written York
Pasajes populares
Página 5 - Credette Cimabue nella pittura Tener lo campo, ed ora ha Giotto il grido, SI che la fama di colui oscura.
Página 5 - Cimabue thought to hold the field in painting, and now Giotto has the cry, so that the fame of him is obscured.
Página 5 - Ben non sare' io stato sì cortese mentre ch'io vissi, per lo gran disio de l'eccellenza ove mio core intese. Di tal superbia qui si paga il fio; e ancor non sarei qui, se non fosse che, possendo peccar, mi volsi a Dio. Oh vana gloria de l'umane posse! com' poco verde in su la cima dura, se non è giunta da l'etati grosse!
Referencias a este libro
Before the Industrial Revolution: European Society and Economy, 1000-1700 Carlo M. Cipolla No hay ninguna vista previa disponible - 1993 |
The Boundaries of Eros: Sex Crime and Sexuality in Renaissance Venice Guido Ruggiero Vista previa restringida - 1989 |
Información bibliográfica
| Título | Painting in Florence and Siena After the Black Death: The Arts, Religion, and Society in the Mid-fourteenth Century ACLS Humanities E-Book Art history Volumen 395 de Princeton paperbacks |
| Autor | Millard Meiss |
| Edición | ilustrada, reimpresa |
| Editor | Princeton University Press, 1978 |
| ISBN | 0691003122, 9780691003122 |
| N.º de páginas | 195 páginas |
| Exportar cita | BiBTeX EndNote RefMan |