Painting in Florence and Siena After the Black Death: The Arts, Religion, and Society in the Mid-fourteenth CenturyThe first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events. |
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Índice
V | 9 |
VI | 14 |
VII | 16 |
VIII | 27 |
IX | 38 |
X | 44 |
XI | 55 |
XII | 59 |
XVIII | 74 |
XIX | 94 |
XX | 105 |
XXI | 132 |
XXII | 145 |
XXIII | 157 |
XXIV | 166 |
XXV | 168 |
Otras ediciones - Ver todo
Painting in Florence and Siena After the Black Death: The Arts, Religion ... Millard Meiss Vista previa restringida - 1978 |
Painting in Florence and Siena after the Black Death. - Princeton, N. J ... Millard Meiss Vista de fragmentos - 1951 |
Términos y frases comunes
altar altarpiece Ambrogio Lorenzetti Andrea da Firenze Andrea Vanni angels appears Arena Chapel Bartolo di Fredi Berenson Berlin Bernardo Daddi Black Death Boccaccio Bologna Caritas Catherine of Alexandria Catherine of Siena chap Child Christ Church collection Colombini composition Croce Crucifixion Daddi Dominican Dugento Duomo earlier examples fifteenth century figures Florence Florentine painting follower fourteenth century Francesco Francis Franciscan Fraticelli fresco frontal Gimignano Giotto Giovanni da Milano Giovanni del Biondo guild Italian Jacopo di Cione Joachim Last Judgment later legend loc.cit London Madonna of Humility Marie Master middle Milan miniature Museum Nardo National Gallery Niccolô Offner op.cit Orcagna painters panel Paolo period Petrarch Pietro Pinacoteca Pisa plague polyptych predella priest religious representations represented Rome S. M. Novella saints scene seated Sienese paintings similar Simone Martini Simonesque Spanish Chapel Storia Strozzi altarpiece style Taddeo Gaddi third quarter tion Trecento triptych Tuscan Vanni Villani Virgin
Pasajes populares
Página 5 - Credette Cimabue nella pittura Tener lo campo, ed ora ha Giotto il grido, SI che la fama di colui oscura.
Página 5 - Cimabue thought to hold the field in painting, and now Giotto has the cry, so that the fame of him is obscured.
Página 5 - Ben non sare' io stato sì cortese mentre ch'io vissi, per lo gran disio de l'eccellenza ove mio core intese. Di tal superbia qui si paga il fio; e ancor non sarei qui, se non fosse che, possendo peccar, mi volsi a Dio. Oh vana gloria de l'umane posse! com' poco verde in su la cima dura, se non è giunta da l'etati grosse!
Referencias a este libro
Before the Industrial Revolution: European Society and Economy, 1000-1700 Carlo M. Cipolla No hay ninguna vista previa disponible - 1993 |
The Boundaries of Eros: Sex Crime and Sexuality in Renaissance Venice Guido Ruggiero Vista previa restringida - 1989 |
Información bibliográfica
| Título | Painting in Florence and Siena After the Black Death: The Arts, Religion, and Society in the Mid-fourteenth Century Art history Volumen 395 de Princeton paperbacks |
| Autor | Millard Meiss |
| Edición | ilustrada, reimpresa |
| Editor | Princeton University Press, 1978 |
| ISBN | 0691003122, 9780691003122 |
| N.º de páginas | 195 páginas |
| Exportar cita | BiBTeX EndNote RefMan |