Film MusicReaktion Books, 2007 - 254 páginas Just hearing a few notes from certain songs can bring a movie back to life--whether the Doors' "The End" from Apocalypse Now, Simon and Garfunkel's "Mrs. Robinson" in The Graduate, or John Williams' scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music--where does the film begin and the music end? Taking off from a variation of that question--whether music accompanies a film or a film illustrates the music--Peter Larsen probes the complex relationship between the two. He charts the history of music in film, exploring along the way the role that music plays in the narrative and psychological functions of film. Examining such classics and blockbusters as The Big Sleep, American Graffiti, North by Northwest, and Blade Runner, Larsen uses these case studies to demonstrate how scores and soundtracks can expose unexpected new facets of a film. A wholly accessible examination, Film Music will be an essential read for music scholars and film buffs alike. |
Índice
Introduction | 7 |
Silent Films Talking Music | 13 |
Analysing Film Music | 36 |
Metropolis 1927 | 47 |
Musical Meanings | 66 |
Enter the Sound Film | 76 |
The Big Sleep 1946 | 98 |
North by Northwest 1959 | 123 |
Necessity or Possibility? | 184 |
Musical Functions | 202 |
219 | |
239 | |
Acknowledgements | 245 |
Otras ediciones - Ver todo
Términos y frases comunes
accompanied action actually American analysis bars basic become beginning changes characters chord cinema classical comes composers connection context continues course create developed dialogue diegesis diegetic discussion early effects elements emotional established example experience expression fact fiction film music final functions hand hear heard Herrmann Hollywood images important indicate introduction kind late later leitmotifs linked major marked Marlowe meaning melody Metropolis motif movement moving musicians narrative narrator nature non-diegetic normally North opening orchestra particular performance period piece piece of music played popular possible practice present problem production question record refer relation repeated says scene score screen sequence short shot showing silent film similar simple Sleep song sound films spectators Star starts story strings structure takes theme tion traditional transitions whole writes written wrote York
Referencias a este libro
ISMIR 2008: Proceedings of the 9th International Conference of Music ... Juan Pablo Bello,Elaine Chew,Douglas Turnbull Vista previa restringida - 2008 |