Ethnomusicology and African Music: Modes of inquiry and interpretation
Afram Publications, 2005 - 403 páginas
The volume in hand deals with modes of inquiry and interpretation broadly organised into sections on theory, and historical and creative studies. The section on theoretical issues comprises papers on: the problem of meaning in African music; musicology and African music; the juncture of the social and the musical; integrating objectivity and experience in ethnomusicological studies; the aesthetic dimension in ethnomusicological studies; universal perspectives in ethnomusicology; and contextual strategies of inquiry and systematisation. The section on creative and historical topics covers the following: the history of music in African culture; history and the organization of music in West Africa; historical evidence in Ga religious music; processes of differentiation and interdependency in African music; African musical roots in the Americas; and developing contemporary idioms out of traditional music.
Comentarios de usuarios - Escribir una reseña
No hemos encontrado ninguna reseña en los sitios habituales.
The Problem of Meaning in African Music
Musicology and African Music
Thejuncture of The Social And The Musical
Página de créditos
Otras 12 secciones no se muestran.
Otras ediciones - Ver todo
acculturation Adangme aesthetic African history African music African musical studies African societies Akan Akwamu analysis Anthropology approach art music Asante aspects of music basis Charles Seeger cognition comparative musicology composers concepts correlations creative cross-cultural Dagomba Dahomey dance Denkyira differentiation dimensions of music discipline drum elements ethnographic ethnomusicology Evanston evidence factors field formal forms function Ghana Guan Henry Cowell heptatonic idiom Institute integration interaction International Music Council interpretation investigation kple Kumasi language linguistic London melodic Merriam methodology methods music and music music of Africa musical cultures musical events musical experience musical instruments musical materials musical traditions musical types musicians Nketia non-Western Northwestern University observations oral traditions orientation Palisca particular performance perspective political processes relationships repertoire rhythm scholars Seeger similarly social song texts sound sources study of music style stylistic systematic techniques theories traditional music values Wachsmann Western music World of Music xylophone