Ethnomusicology and African Music: Modes of inquiry and interpretation
Afram Publications, 2005 - 403 páginas
The volume in hand deals with modes of inquiry and interpretation broadly organised into sections on theory, and historical and creative studies. The section on theoretical issues comprises papers on: the problem of meaning in African music; musicology and African music; the juncture of the social and the musical; integrating objectivity and experience in ethnomusicological studies; the aesthetic dimension in ethnomusicological studies; universal perspectives in ethnomusicology; and contextual strategies of inquiry and systematisation. The section on creative and historical topics covers the following: the history of music in African culture; history and the organization of music in West Africa; historical evidence in Ga religious music; processes of differentiation and interdependency in African music; African musical roots in the Americas; and developing contemporary idioms out of traditional music.
Comentarios de usuarios - Escribir una reseña
No hemos encontrado ninguna reseña en los sitios habituales.
The Problem of Meaning in African Music
Musicology and African Music
The Juncture of The Social And The Musical
Página de créditos
Otras 8 secciones no se muestran.
Otras ediciones - Ver todo
aesthetic African music Akan analysis Anthropology applied approach artistic Asante aspects attention basis communication comparative composers concepts concerned considered contemporary context contribute course creative dance deal defined descriptive dimension discipline drum elements emphasis established ethnomusicology evidence examination example experience expression factors field formal function Ghana given goals groups important individual inquiry Institute integration interest International interpretation issues kind knowledge language limited London materials meaning Merriam methods modes musical cultures musical types musicians musicology nature objective observations oral organization orientation particular performance perspective piece political possible practice present principles problems processes reference relationship rhythm scholars similar similarly situation social society songs sound sources specific structure study of music style suggested systematic techniques theories traditions understanding University University Press values various Western York