Digital Nonlinear Editing: Editing Film and Video on the DesktopFocal Press, 1998 - 313 páginas Nonlinear editing is the key topic in digital film and video today, and Digital Nonlinear Editing is the professional "bible" of the new era in post-production. The book details the procedural, creative, and technical fundamentals of editing moving images within a computer-based, interactive environment. Readers will understand not only what nonlinear editing is and how it works, but also how such systems can be used to achieve greater creative flexibility as well as cost and time savings. The completely revised second edition chronicles a decade of digital nonlinear editing from home consumer editing applications to professional film and video editing systems. It provides in-depth explanations of digital video compression, storage, and networking; advances in digital video, computer processing power, the blurring of offline and online, digital storage advances, and desktop painting and compositing applications. By far the most comprehensive book on the subject, Digital Nonlinear Editing details the growing role of compressed and digitized video in all types of communication. From the basics of traditional editing to the cutting edge of digital media, this is the book for every current and prospective communications professional. Thomas A. Ohanian is a Chief Editor, Director of Product Design for Avid Technology in Massachusetts and a designer of the Avid Media Composer. During is tenure as a film and video editor he has worked on award-winning commercials, documentaries, industrials, television shows, and features. He is also the author with Michael Phillips of Digital Filmmaking (Focal Press). |
Índice
THE EVOLUTION OF DIGITAL | 3 |
THE DEVELOPMENT OF VIDEOTAPE | 16 |
600 | 29 |
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Otras 10 secciones no se muestran.
Términos y frases comunes
amount of data analog signals Avid Technology bandwidth bits bytes camera capable channels clip coding color components Courtesy created cutlist data rate data transfer rate desktop digital audio digital audio workstations digital data digital nonlinear editing digital video compression disk drives DNLE system edge number edit decision list editor effects encoding example Fibre channel Figure film frames film negative FireWire footage graphics Illustration by Jeffrey interface Internet intraframe ITU-R Jeffrey Krebs laserdisc M-JPEG M-JPEG compression machines magnetic disks material MB/sec Mbits/sec method MPEG NTSC offline optical discs original picture and sound picture quality pixel playback played back pulldown Q factor real-time recording resolution result sampling SCSI sequence shot storage stored sync point techniques telecine television timecode tion tracks uncompressed video and audio video compression video fields video frame workstations
Referencias a este libro
Basic TV Technology: Digital and Analog Robert L. Hartwig No hay ninguna vista previa disponible - 2000 |