Celtic and Anglo-Saxon Art: Geometric Aspects

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Liverpool University Press, 2003 - 254 páginas
Much of early medieval Celtic and Anglo-Saxon art is based on the display of motifs – key, interlacing, spiral and zoomorphic – in well-defined panels in simple and complex arrays. A study of the arrangement of the panels and the fine detail of the motifs indicates that the artists relied on geometric methods and principles first used by Egyptians and Greeks. This book reflects Derek Hull’s life-long interest in interpreting the exciting and exotic patterns revealed by scientific studies using light and electron microscopes. His interest in Celtic and Anglo-Saxon art started with a casual observation of an interlacing pattern on an early medieval stone cross set in a churchyard. There followed many years of exploration of art in metal, stone and vellum from all parts of the British Isles and Ireland, resulting in some fascinating discoveries. Celtic and Anglo-Saxon Art reveals new and intriguing facets of these works that add to our appreciation of the beauty of the art and the skills of the artists.

"This is a book for lovers of Celtic art, design and calligraphy, and will both delight and captivate... A must-have for both the cognoscenti and enthusiasts of Celtic religious art."—Cambria
 

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Índice

St Gall Gospel book and Book of Kells
86
Chapter 4
93
Chapter 5
139
Chapter 6
171
Chapter 7
203
Chapter 8
235
Glossary
244
Página de créditos

Términos y frases comunes

Pasajes populares

Página 7 - Proposition 7. The general forms being first cared for, these should be subdivided and ornamented by general lines; the interstices may then be filled in with ornament, which may again be subdivided and enriched for closer inspection.

Sobre el autor (2003)

Derek Hull is a Fellow of the Royal Society and a Fellow of the Royal Academy of Engineering, and is Emeritus Goldsmiths' Professor of Metallurgy of the University of Cambridge.

Información bibliográfica