African Experiences of CinemaIshaq Imruh Bakari, Mbye B. Cham Bloomsbury Academic, 1996 - 276 páginas George Herbert is best known as a 17th-century sacred poet, often associated with such writers as John Milton and John Donne, but it is Herbert's portrait of an idealized rural clergyman in The Country Parson which perhaps best shows Herbert's engagement in a wide range of complex social debates. In Full of all Knowledg, Ronald Colley examines the 1632 pastoral manual through four distinct lenses: church history, the history of the learned professions (law and medicine), local and agricultural history and the history of the patriarchal nuclear family. |
Índice
Resolutions of the Third World FilmMakers Meeting Algiers Algeria | 17 |
The Algiers Charter on African Cinema 1975 | 25 |
Final Communiqué of the First Frontline Film Festival and Workshop | 31 |
Página de créditos | |
Otras 18 secciones no se muestran.
Otras ediciones - Ver todo
African Experiences of Cinema Mbye B. Cham,Ishaq Imruh Bakari No hay ninguna vista previa disponible - 1996 |
Términos y frases comunes
aesthetic African cinema African countries African film-makers African films African women American Angola Arab audiences Balogun Bureau of Cinema Burkina Faso Cape Verde Ceddo centre character co-production colonial continent Côte d'Ivoire created critical cultural Daventure Diop Mambety director discourse distribution documentary domination economic eroticism European feature film female FEPACI FESPACO Film Festival film industry film production foreign France francophone French Gaston Kaboré Ghana griot Guinea-Bissau ideological Idrissa independence Islam Jean Rouch Kajoor language liberation Ministry of Co-operation Mozambican Mozambique narrative Nigeria Ola Balogun oral organised Ouagadougou Ouédraogo Ousmane Sembène pan-African Paris political popular Portuguese post-colonial present problems reality regional role Rouch SADCC Sarah Maldoror Sarraounia scene screen script Sembène's Senegal Senegalese sexual shot social Souleymane Cissé South Africa spectator story structure struggle sub-Saharan television theatre theme Third Cinema Third World traditional urban village Wend Kuuni Western woman Xala Yaaba Zan Boko