| Matthew Affron, Mark Antliff - 1997 - 300 páginas
Bringing together studies by art historians, historians, and political scientists, FASCIST VISIONS explores the themes and paradigms that pervaded protofascist and fascist ... | |
| Mark Antliff - 2007 - 380 páginas
An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939. | |
| Mark Antliff, Scott W. Klein - 2013 - 320 páginas
Vorticism addresses the seminal innovations in theatre, literature and poetry as well as Vorticist painting, sculpture, print making, and photography that encompassed the ... | |
| Neil Cox - 2000 - 460 páginas
An up-to-date, engaging survey of the most important revolution in early twentieth-century art. | |
| Guillaume Apollinaire - 1972 - 600 páginas
Poet, critic, impresario, gadfly, visionary, tastemaker: more than anyone, Guillaume Apollinaire embodies the frenzied art world of Paris in the early 20th century. His rampant ... | |
| Christopher Green - 2000 - 352 páginas
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art. | |
| David Cottington - 2004 - 350 páginas
Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion ... | |
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