Avant-Gardes and Partisans ReviewedManchester University Press, 1996 - 362 páginas The authors of this text, Orton and Pollock, are considered exponents of the social history of art. Their approach to the study of art began in 1978 with the publication of their analysis of popular artists such as Van Gogh which denied the simplistic interpretations of the popular art world of such "Masters" of art. Over the past 20 years they have continued to re-appraise and re-invent art historical analyses, focusing on the formation of European modernism in the 19th century and the later American appropriation of its legacy during the 20th century. This book combines new work on critical and theoretical issues of agency and the problems of autobiography and monographic studies in art history, with the authors' earlier articles, complete with reappraisals of this earlier work. By addressing key issues in visual culture and the politics of representation, this book provides both a useful reference and an analysis of the work of these authors during this tumultuous period in art history. |
Índice
list of contents | 7 |
PART | xxiii |
Sketch from Letter 330 October 1883 Amsterdam National Museum | 8 |
View from the Wheatfields Summer 1888 Pen and ink 31 5 x 24 cm | 12 |
Memories of the North MarchApril 1890 Oil on canvas | 26 |
Old Vineyard with Peasant Woman May 1890 Pencil and wash on paper | 43 |
Journal of Low Countries Studies 1991 no 44 4559 | 44 |
La Prairie de Représentation | 53 |
PART | 134 |
AvantGardes and Partisans Reviewed | 141 |
Jackson Pollock Painting and the Myth of Photography | 165 |
Action Revolution and Painting | 177 |
The Idea of the Cold War | 205 |
Georges Seurat A Sunday Afternoon on the Isle de la Grande Jatte 18846 | 207 |
Chapter 12 | 215 |
PART THREE | 295 |
Reactions to Renoir Keep Changing | 89 |
Chapter 2 | 103 |
Cloisonism? | 115 |
Portrait of Père Tanguy Winter 18878 Oil on canvas 92 75 cm | 122 |
But Take the Monet and Run | 125 |
Studies in Authorship | 315 |
340 | |
343 | |
Otras ediciones - Ver todo
Avant-Gardes and Partisans Reviewed Fred Orton,Griselda Pollock No hay ninguna vista previa disponible - 1996 |
Términos y frases comunes
Abstract Expressionism Action Painters aesthetic American art history artist avant-garde Avant-Garde and Kitsch Bernard bourgeois Breton Women Brettell Brittany canvas catalogue Clement Greenberg Cloisonism colour complex contemporary costume critical discourse dominant theory Dutch effect essay exhibition expression feminine feminist Fénéon France Frankenthaler Gallery Gauguin Gogh's Greenberg Hague School Hans Namuth Harold Rosenberg Helen Frankenthaler historians history of art Ibid idea identity ideological Impressionism Impressionists Jackson Pollock kind landscape Lee Krasner Letter literature London Marilyn Monroe Marxist meaning modern art modernist Monet Museum of Modern Namuth narrative nineteenth century nude painting Paris Partisan Review peasants picture Pissarro political Pont Aven Post-Impressionism practice produced reading recognised reference relations Renoir representation represented revolution revolutionary Rewald Rosenberg Seurat sexual difference signified social history society space specific structures surface symbolic traditional vanguard Vincent van Gogh Wollheim woman writing York