Avant-Gardes and Partisans Reviewed

Portada
Manchester University Press, 1996 - 362 páginas
The authors of this text, Orton and Pollock, are considered exponents of the social history of art. Their approach to the study of art began in 1978 with the publication of their analysis of popular artists such as Van Gogh which denied the simplistic interpretations of the popular art world of such "Masters" of art. Over the past 20 years they have continued to re-appraise and re-invent art historical analyses, focusing on the formation of European modernism in the 19th century and the later American appropriation of its legacy during the 20th century. This book combines new work on critical and theoretical issues of agency and the problems of autobiography and monographic studies in art history, with the authors' earlier articles, complete with reappraisals of this earlier work. By addressing key issues in visual culture and the politics of representation, this book provides both a useful reference and an analysis of the work of these authors during this tumultuous period in art history.
 

Índice

list of contents
7
PART
xxiii
Sketch from Letter 330 October 1883 Amsterdam National Museum
8
View from the Wheatfields Summer 1888 Pen and ink 31 5 x 24 cm
12
Memories of the North MarchApril 1890 Oil on canvas
26
Old Vineyard with Peasant Woman May 1890 Pencil and wash on paper
43
Journal of Low Countries Studies 1991 no 44 4559
44
La Prairie de Représentation
53
PART
134
AvantGardes and Partisans Reviewed
141
Jackson Pollock Painting and the Myth of Photography
165
Action Revolution and Painting
177
The Idea of the Cold War
205
Georges Seurat A Sunday Afternoon on the Isle de la Grande Jatte 18846
207
Chapter 12
215
PART THREE
295

Reactions to Renoir Keep Changing
89
Chapter 2
103
Cloisonism?
115
Portrait of Père Tanguy Winter 18878 Oil on canvas 92 75 cm
122
But Take the Monet and Run
125
Studies in Authorship
315
Chapter 13
340
Index
343
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