The Absurd in LiteratureManchester University Press, 31 oct 2006 - 354 páginas Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien. The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American) - as well as those more concerned with theatre studies, the avant-garde and the history of ideas (including humour theory). It should also have a wide appeal to the enthusiastic general reader. |
Índice
an introduction | 2 |
Antecedents to the absurd | 33 |
towards the absurd | 66 |
twentiethcentury absurdist practice | 99 |
the Theatre of the Absurd | 126 |
Daniil Kharms as minimalistabsurdist | 158 |
otherness in the labyrinth of absurdity | 184 |
Samuel Becketts vessels voices and shades of the absurd | 215 |
Flann OBrien and the purloined absurd | 251 |
Beyond the absurd? | 280 |
Conclusion | 309 |
337 | |
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Términos y frases comunes
absurd absurdist according Antonin Artaud appears Artaud Bakhtin Berkoff Book of Disquiet Borges Brian O'Nolan Brod Bruno Schulz Calasso Camus Cardullo century chapter characters Clissmann comedy comic Dada Daniil Kharms death Diaries Dickens Dobrez Dostoevsky drama dream edited Endgame English Esslin existence existential fiction figure Flann O'Brien Fotiade Franz Franz Kafka French Futurist Godot Gogol grotesque Hopper human humour ibid Ionesco Irish Kafka Kharms's Kharmsian Knowles Knowlson language later laughter Lautréamont least literary literature logic London metafictional Metamorphosis metaphor metaphysical modern Myles Myth Nabokov narrative narrator negative theology Nietzsche nonsense noted novel O'Nolan OBERIU parody Penguin perhaps Pessoa philosophical Pinter play poem prose protagonist published quoted refers Russian satire seen Segal sense Stoppard story Surrealism Surrealist Swim-Two-Birds Theatre theatrical theory Third Policeman tion translated Trial Trilogy University Press Vvedensky Waiting for Godot Watt words writing Yelizaveta