Antiheroes: Mexico and Its Detective Novel

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Fairleigh Dickinson Univ Press, 1997 - 177 páginas
Stavans's overall argument is that, in a national arena where moral decadence and political corruption prevail, the detective genre has been forced to embrace the hard-boiled model of Raymond Chandler and Dashiell Hammett, rather than exploring its links to the more high-brow, sophisticated British tradition of Arthur Conan Doyle and Agatha Christie. An enlightening treatise on parody as a literary device, this book is a fiesta that students of Latin American literature in particular, and fans of the art of slighting in general, will not want to miss.
 

Índice

Constables and Sentries
55
RealLife Cases
64
The Critics Voice
70
Antonio Helú
78
Rafael Solana
85
María Elvira Bermúdez
91
Carlos Fuentes
100
Paco Ignacio Taibo II
108
Revolutionizing the Formula
119
Jorge Ibargüengoitia
131
José Emilio Pacheco
139
Interview with Paco Ignacio Taibo II
144
Bibliography
164
124
173
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Página 5 - All happy families are more or less dissimilar; all unhappy ones are more or less alike,' says a great Russian writer in the beginning of a famous novel (Anna Arkadievitch Karenina, transfigured into English by RG Stonelower, Mount Tabor Ltd., 1880).

Sobre el autor (1997)

Ilan Stavans (born Ilan Stavchansky on April 7, 1961, in Mexico City) is a Mexican-American, essayist. He is the author of "The Hispanic Condition", "The Riddle of Cantinflas", and "The One-Handed Pianist & Other Stories" as well as the editor of "The Oxford Book of Jewish Stories" and a dictionary of Spanglish, among other volumes. He has been a National Book Critics Circle Award nominee, the recipient of a Guggenheim Fellowship and the Latino Literature Prize, among other honors. He teaches at Amherst College.

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