A cubism reader: documents and criticism, 1906-1914
With radical formal innovations that scandalized the European art world, cubism revolutionized modern art and opened the path toward pure abstraction. Documenting the first heady years of this profoundly influential movement, A Cubism Reader presents the most comprehensive collection of cubist primary sources ever compiled for English-language publication.
This definitive anthology covers the historical genesis of cubism from 1906 to 1914, with documents that range from manifestos and poetry to exhibition prefaces and reviews to articles that address the cultural, political, and philosophical issues related to the movement. Most of the texts Mark Antliff and Patricia Leighten have selected are from French sources, but their inclusion of carefully culled German, English, Czech, Italian, and Spanish documents speaks to the international reach of cubist art and ideas. Equally wide-ranging are the writers represented—a group that includes Guillaume Apollinaire, Gertrude Stein, Jean Metzinger, Albert Gleizes, Fernand Léger, Francis Picabia, André Salmon, Raymond Duchamp-Villon, Henri Le Fauconnier, and many others.
These diverse selections—unabridged and freshly translated—represent a departure from the traditional view of cubism as shaped almost exclusively by Picasso and Braque. Augmented by Antliff and Leighten’s insightful commentary on each entry, as well as many of the articles’ original illustrations, A Cubism Reader ultimately broadens the established history of the movement by examining its monumental contributions from a variety of contemporary perspectives.
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The banquet years: the origins of the avant garde in France, 1885 to World ...
Vista de fragmentos - 1968
la palette pseud of ANDRÉ salmon Jean Metzinger ParisJournal
olivier hourcade pseud of olivier bag Enquête sur le cubisme
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admirable aesthetic Albert Gleizes Alexandre Mercereau Antliff and Leighten art critic Artists Rights Society avant-garde beauty Braque's Breunig canvas Cezanne claim color Cottington Creteil Cubism and Culture cubists decorative Delaunay's Derain drawing Duchamp Eiffel emotion exhibition expression eyes Fauconnier's Faure fauves Fernand Leger France Francis Picabia French Fresnaye futurists gallery geometry Georges Braque Gleizes's Guilbeaux Guillaume Apollinaire harmony Henri Le Fauconnier Hommes du Jour Hourcade idea impressionism impressionist intuition Inventing Bergson Jacques Jean Metzinger Juan Gris Kahnweiler landscape Lhote light literary Marie Laurencin Matisse Maurice means Metzinger's mind modern movement Museum nature neoimpressionists nude object Pablo Picasso painter painting Palette Paris Paul peinture perspective Picabia pictorial picture planes plastic poet portrait primitive published Revue Robert Delaunay Roger Allard role Rousseau salon cubists Salon d'Automne Salon des Independants Section d'Or sensibility Signac Societe normande Soffici symbolist things tion Tobeen tradition truth Vauxcelles