Who Paid the Piper?: The CIA and the Cultural Cold WarGranta Books, 1999 - 509 páginas During the Cold War, both sides looked to govern artistic output. This is the story of the CIA's strategy to insinuate itself in every aspect of cultural life, in order to rid the Free World of Communist propaganda. Prominent figures such as Arthur Koestler and George Orwell became involved. |
Índice
Introduction | 1 |
Exquisite Corpse | 7 |
Destinys Elect | 32 |
Página de créditos | |
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Who Paid the Piper?: The CIA and the Cultural Cold War Frances Stonor Saunders No hay ninguna vista previa disponible - 2000 |
Términos y frases comunes
Abstract Expressionism ACCF/NYU Agency Allen Dulles Alsop American Committee anti-Communist April Arthur Schlesinger artists Berlin Braden British Burnham C. D. Jackson CCF/CHI CDJ/DDE CIA's Cold War Cold Warriors Committee for Cultural conference Congress for Cultural Cord Meyer covert Cultural Freedom Diana Josselson director Dwight Macdonald editor Eisenhower Encounter European Farfield Foundation festival films Fleischmann Ford Foundation foreign Frank Wisner Free Europe funds George Kennan Germany Ibid idea intellectuals intelligence International Irving Brown Irving Kristol Jason Epstein John Hunt July June Kermode knew Koestler Lasky's later Lawrence de Neufville London magazine Mary McCarthy Melvin Lasky Michael Josselson MJ/HRC Modern Art MoMA Muggeridge Museum Natasha Spender National Nicolas Nabokov op.cit operations organization Paris Partisan Review political president propaganda quoted Rockefeller Rosenberg secret Sidney Hook Silone Soviet Stephen Spender telephone interview tion told Tom Braden Washington William writing wrote York