The Cambridge Companion to George Bernard Shaw

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Christopher Innes
Cambridge University Press, 24 sept 1998 - 343 páginas
The Cambridge Companion to George Bernard Shaw is an indispensible guide to one of the most influential and important dramatists of the theatre. The volume offers a broad-ranging study of Shaw with essays by a team of leading scholars. The Companion covers all aspects of Shaw's drama, focussing both on the political and theatrical context, while the extensive illustrations showcase productions from the Shaw Festival in Canada. In addition to situating Shaw's work in its own time, the Companion demonstrates its continuing relevance, and applies some of the newest critical approaches.
 

Índice

Shaws life a feminist in spite of himself
3
Imprinting the stage Shaw and the publishing trade 18831903
25
New theatres for old
55
New Women new plays and Shaw in the 1890s
76
Shaw the dramatist
101
Shaws early plays
103
Shavian comedy and the shadow of Wilde
124
Structure and philosophy in Man and Superman and Major Barbara
144
Reinventing the history play Caesar and Cleopatra Saint Joan In Good King Charless Golden Days
195
Shaws interstices of empire decolonizing at home and abroad
218
The later Shaw
240
Theatre work and influence
259
Shaw and the Court Theatre
261
Please remember this is Italian opera Shaws plays as musicdrama
283
Shaw and the popular context
309
Index
334

Nothing but talk talk talk Shaw talk Discussion Plays and the making of modern drama
162
The roads to Heartbreak House
180

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