Prints and Visual Communication

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MIT Press, 15 jul 1969 - 288 páginas
The sophistication of the photographic process has had two dramatic results—freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., elaborates in Prints and Visual Communication, a history of printmaking from the crudest wood block, through engraving and lithography, to Talbot's discovery of the negative-positive photographic process and its far reaching consequences.
 

Índice

INTRODUCTIONTHE BLOCKED ROAD TO PICTORIAL COM
1
THE ROAD BLOCK BROKENTHE FIFTEENTH CENTURY
21
SYMBOLISM AND SYNTAXA RULE OF THE ROADTHE
51
THE TYRANNY OF THE RULE THE SEVENTEENTH
71
THE TYRANNY BROKENTHE NINETEENTH CENTURY
93
PICTORIAL STATEMENT WITHOUT SYNTAXTHE NINE
113
NEW REPORTS AND NEW VISIONTHE NINETEENTH
135
RECAPITULATION
158
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