Photography as a Fine Art

abstract Alfred Stieglitz ALPHONSE MUCHA artistic feeling atmosphere average photographer beauty Caffin Camera Notes CHAPTER character characteristics charm Clarence H Claude Lorrain color composition conception contrast Corot decorative delicate effect emotion etching evanescent example exhibitions expression exquisite face facts fichu Frank Eugene Gertrude Kasebier glycerine print GRAND-MÈRE gum-bichromate hand head human illustrated imagination impression Impressionism Impressionists India ink individual interest John La Farge Joseph Käsebier Keiley lady landscape latter light and dark light and shade limitations look manipulation mass means ment merely motive mystery nature negative ness Nirvana object oil painting ourselves painter or photographer painting photog pictorial picture picture-making platinotype platinum Portrait pose possibilities qualities rapher reach realize record rendered represent reproduced result Salon scape scene scientific sculptor seems sense shadow soft spontaneous Steichen straight photograph suggestion sympathy texture tion tographer tone vivid White