Fairy Tales and the Art of Subversion: The Classical Genre for Children and the Process of CivilizationPsychology Press, 1991 - 214 páginas Jack Zipes develops a social history of the fairy tale and shows how educated writers purposefully appropriated the oral folk tale in the eighteenth century and made it into a discourse about mores, values, and manners. |
Índice
Whos Afraid of the Brothers Grimm? | 45 |
Hans Christian Andersen and the Discourse of the | 71 |
The Liberating Potential of the Fantastic in Contemporary | 170 |
Bibliography | 195 |
Otras ediciones - Ver todo
Fairy Tales and the Art of Subversion: The Classical Genre for Children and ... Jack Zipes Vista previa restringida - 2006 |
Fairy Tales and the Art of Subversion: The Classical Genre for Children and ... Jack Zipes Vista previa restringida - 2006 |
Términos y frases comunes
aesthetic American Andersen Baum Baum's beast beauty became become behavior Borribles bourgeois bourgeoisie Brothers Grimm child children's literature Christian civilizing process classical fairy tale Contes critical cultural daughter depicted domination endeavors fairy-tale discourse fairy-tale writers fantastic female feudal folk tale Frank Baum frog function genre German girl Grimms Hans Christian Andersen happy hero human Ibid ideology individual J.R.R. Tolkien Jack Zipes Janosch king liberating literary fairy tale Little Red Riding MacDonald magic male manners Märchen Minimax moral mother motifs narrative nature Nazi Germany nineteenth century Nome King norms notions Nycteris Oscar Wilde Oz books patterns Perrault perspective political prince princess protagonists radical readers Red Riding Hood regard reutilized role sexual social relations socialization process society stories struggle symbolic act tale for children tion traditional transformed uncanny upper classes utopia values Weimar and Nazi West Germany Wilde women young