Dowland: Lachrimae (1604)Cambridge University Press, 28 oct 1999 - 100 páginas Dowland's Lachrimae (1604) is perhaps the greatest but most enigmatic publication of instrumental music from before the eighteenth century. This new handbook, the first detailed study of the collection, investigates its publication history, its instrumentation, its place in the history of Renaissance dance music, and its reception history. Two extended chapters examine the twenty-one pieces in the collection in detail, discussing the complex internal relationships between the cycle of seven 'Lachrimae' pavans, the relationships between them and other pieces inside and outside the collection, and possible connections between the Latin titles of the seven pavans and Elizabethan conceptions of melancholy. The extraordinarily multi-faceted nature of the collection also leads the author to illuminate questions of patronage, the ordering and format of the collection, pitch and transposition, tonality and modality, and even numerology. |
Índice
The document | 1 |
Dowlands continental career | 2 |
The publication of Lachrimae | 3 |
The table layout | 7 |
The instruments | 13 |
Lachrimae and the AngloGerman repertory | 16 |
Instrumentation | 17 |
Chiavette and transposition | 20 |
Lachrimae Gementes | 53 |
Lachrimae Tristes | 54 |
Lachrimae Coactae | 56 |
Lachrimae Amantis | 57 |
Lachrimae Verae | 59 |
Divers other Pavans Galiards and Almands | 61 |
Semper Dowland semper Dolens | 63 |
Sir Henry Umptons Funerall | 65 |
The lute part | 22 |
The dance types | 26 |
The galliard | 27 |
The almand | 28 |
The Elizabethan dance repertory | 30 |
The late Elizabethan pavan | 31 |
Tonality | 33 |
The seven Passionate Pavans | 36 |
The tear motif | 40 |
Musical rhetoric | 42 |
The nature of the cycle | 46 |
Melancholy | 50 |
Lachrimae Antiquae Novae | 52 |
M John Langtons Pavan | 66 |
The Earle of Essex Galiard | 67 |
Captaine Digorie Piper his Galiard | 68 |
Sir John Souch his Galiard | 69 |
M Buctons Galiard | 71 |
M Thomas Collier his Galiard with 2 Trebles | 73 |
M George Whitehead his Almand | 74 |
Reception | 75 |
Revival | 78 |
Notes | 81 |
94 | |
96 | |
Otras ediciones - Ver todo
Términos y frases comunes
added Almands Amantis Anatomy of Melancholy Antiquae appeared bars bass beginning Booke cadence Cambridge Cantus century chord collection complete composers connections Consort Music copied court dance music David dedicated Denmark derived developed Dowland early edition Edwards Elizabethan England English examples falling Fiddlers figure five five-part four fourth galliard groups harmonic Henry idea includes instruments Italian Italy John keyboard Lachrimae Langton late later Library London lute madrigal major manuscript mean melancholy minor mixed Morley musicians opening original paired partly pattern pavans performed perhaps Peter phrase pieces played possible printed probably publication published reference repertory repr rhetorical second strain seems sequence setting seven similar single solo song soprano sources string suggests tablature tear motif teares tenor third strain Thomas thought tion Tone Tristes tune types viol violin wind written wrote
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